Showing posts with label Richard Dysart. Show all posts
Showing posts with label Richard Dysart. Show all posts

Sunday, September 22, 2019

Back to the Future Part III (1990)

It took me a while to get going on the reviews for the Back to the Future trilogy.  Yes, I know that they came out over 30 years ago.  The first one was such an iconic movie that I wasn’t sure how to handle it.  The trilogy was also a bit of an anomaly to me in that it formed a continuous narrative, despite the fact that the second and third movies weren’t planned.  (It’s been noted that the second picks up where the first left off and this one picks up where the second left off.)

Part III goes in a new direction, taking us to the Old West.  It turns out that Doc was stranded in 1885, 70 years prior to the end of Part II.  (I’m not sure what it is with multiples of five.)   He writes Marty a note, to be delivered by Western Union, a few minutes after his disappearance.  Doc instructs Marty to find the Doc of 1955 so that they might repair the DeLorean and return Marty to 1985 once again.

Things aren’t that simple, though.  While retrieving the car, Marty and Doc discover a tombstone with Doc’s name on it.  He’s to die about a week after writing the letter.  So, a new plan is hatched:  Send Marty to 1885 to save Doc without altering the timeline.  Only, the fuel line is punctured, rendering the car inoperative.  The Flux Capacitor still works, but Mr. Fusion can’t power the car and there won’t be a gas station in town for quite some time.  So, it’s just a matter of figuring out a way to push the car to 88 MPH while keeping Doc alive for a week.  What could go wrong?

As much as I might hope for a Part IV, this is a fitting end for the franchise.  Everyone ends up happy and realizing that fate is what you make of it.  You just have to do so responsibly.  Yes, I know that there’s a TV show.  If I can find it on DVD, I might get around to watching it.  (I’ll have to see if the library has it.)

It was nice that there was a shift in the story to include Doc.  He even gets a love interest, which could complicate things.  I always felt sad when I saw the end of the movie.  Marty was stuck in 1985 while Doc got to go exploring time.  I suppose it’s possible that at some point in the future, Doc will meet Marty again.  (I’m assuming that this is what the TV series is about.)

Back to the Future seems to be a franchise that people either love or ignore.  I’ve always loved it, mostly because of its simplicity.  I’m sure that the movie’s representation of the Old West is simplistic, but it’s serving as a backdrop.  It’s more the setting for the story in which both main characters a great conclusion.  Marty McFly finally seems to learn his lesson and stops letting people push him around.  Also, Doc seems to be a happier person.  He has a family and the time machine that he originally wanted.  Both seem to have realized what’s important:  Life is what you make of it.


Tuesday, May 17, 2016

Castle in the Sky (1986)

Note:  This review was originally posted to my Epinions account.


I’ve never really been big on directors. Sure, there are movies that were well-directed, but I’ve never really been one to seek out movies based on a director or production company. Then, along came movies like Nausicaa of the Valley of the Wind and The Cat Returns. I was hooked on Studio Ghibli’s movies. I began renting as many as I could find on NetFlix.

Castle in the Sky seems to be one of the earlier works, but wasn’t released in the US until recently. The story revolves around several people looking for a lost city called Laputa. The military wants this city for its technology. Pirates want it for untold riches that are bound to be there. Then, there’s Sheeta and Pazu, two children that are out to find the city, as well. (Sheeta has a special connection to the city.)

The thing that makes Laputa hard to find is that it floats above the Earth, hidden from view pretty well. Some doubt that it even exists. Pazu’s father died trying to prove its existence. Sheeta has the ability to find it, which makes her valuable to both the military and the pirates. Together, Sheeta and Pazu might just be able to find the lost city which floats above the planet.

There’s this great debate between Sub vs. Dub, or subtitles versus the English dubbing. I’ve always preferred the dub, mostly because the English voices are usually well-known actors. In Castle in the Sky, you have Mark Hamill, Mandy Patinkin, Richard Dysart and Cloris Leachman. From what I understand, the translation of some of the earlier works, like this movie, led to a ‘No Cuts’ policy, forcing a more literal translation of the movies. I’d love to learn Japanese to see the difference.

As I’ve said with other animated movies, there’s so much more you can do with animation. What would require special effects in a live-action movie is bound to look seamless in an animated movie. Castle in the Sky is a great example of such a movie. You’ve got all manner of flying ships. To look at Laputa is to see exactly what I’m talking about. Imagination is the limit with anime and animation Despite a somewhat complicated plot, I found it was easy to follow and understand. The story is as well crafted as the animation.

I never really thought the comparison of Ghibli to Disney was fair. Yes, both have produced a lot of great films, but both are radically different. Ghibli has produced a wide range of films, some being meant more for children and others that are better suited to adults. (Granted, Castle in the sky is probably better for children, but look at movies like Grave of the Fireflies.)

At just over two hours, it’s not too long. Everything about it is genius. I’d recommend it to anyone.