Showing posts with label Cloris Leachman. Show all posts
Showing posts with label Cloris Leachman. Show all posts

Wednesday, June 14, 2017

Young Frankenstein (1974)

It’s not uncommon for someone to go into the family business.  Some companies are family owned for several generations   You may even see a company name along the lines of Smith & Sons.  Likewise, you may find police officers that have siblings, aunts and uncles, parents and grandparents that are also police officers.  (At least, that’s the way it is in television and movies.)  Normally, no one would think anything of someone doing what their family does.

Things are a little different for Frederick.  He’s a doctor, like his grandfather.  Frederick doesn’t want the association, though, as his grandfather is none other than Dr. Viktor Frankenstein.  Yes, Mary Shelley’s Frankenstein.  The idea of reanimating a nervous system is ridiculous.  I know it.  You know it.  Frederick knows it, too.  Yet, everyone keeps pestering him about it.

It doesn’t get any easier when Frederick inherits the family castle in Transylvania.  So, the young Dr. Frankenstein goes to see what he’s inherited.  When he gets there, he’s greeted by Igor, also the grandson of the corresponding character in the book.  He introduces Frederick to beautiful lab assistant Inga and the horse-scaring Frau Blücher.  Frederick wants to find his grandfather’s work, but Frau Blücher denies any knowledge of the work.  It’s with the help of Inga that he’s able to find a secret passageway and, eventually, a book called How I Did It by V. Frankenstein.

After reading the book, Frederick realizes that it’s not so far fetched.  He might actually be able to reanimate a corpse.  So, he and Igor rob a grave.  Igor is also sent to get the brain of a noted scientist.  The townspeople, however, are rightfully concerned.  Yes, he’s a Frankenstein, but there’s no proof that he’ll follow in his grandfather’s footsteps.  That is, until he reanimates the corpse.  Now, it’s up to Frankenstein and Company to protect the new life.

The movie is in black and white.  It’s even set up like Ye Olde Horror Filmme of Yore, with credits in the beginning.  (Having seen some older movies, I get the reference, but I’m not sure how many references I’m missing.)  With Frankenstein being something that everyone knows about, even minimally, most people will get many of the jokes.  There’s the obligatory angry mob waiting to happen, for instance.

The book doesn’t seem to parody the book directly, but seems to use the story as a backdrop.  It’s almost like an unofficial, comedic sequel of sorts.  Probably the one scene I remember best is where Frederick tries to show off The Monster by having him do a demonstration that ends with a performance of Putin’ on the Ritz.

This ultimately leads to The Monster being taken away by the police. The Monster eventually escapes and meets some people while on the run, like a girl who doesn’t seem frightened by him.  There’s also the blind man who desperately wants company.  The Monster doesn’t hurt anyone unless provoked, which usually involves someone taunting him.

This isn’t the kind of movie you’ll watch week after week, but it does hold up after repeated viewings.  Some of the humor is meant to work as a surprise.  Other jokes, like Putin’ on the Ritz, can be viewed multiple times.  It’s the kind of movie you’d watch when you catch it on TV or maybe watch in class the day before school lets out for break.

The movie is rated PG, mostly for sexual references.  Frederick mentions huge knockers, referring to a door.  There are also a scene where The Monster has sex with Frederick’s bride to be, although no nudity is shown.  There are also scenes of violence, like The Monster choking Frederick.  It’s a comedy, so there’s little threat of the main characters being permanently harmed.  The worst of the violence is seeing a man hanged. It’s generally safe for teenagers and above.


Tuesday, May 17, 2016

Castle in the Sky (1986)

Note:  This review was originally posted to my Epinions account.


I’ve never really been big on directors. Sure, there are movies that were well-directed, but I’ve never really been one to seek out movies based on a director or production company. Then, along came movies like Nausicaa of the Valley of the Wind and The Cat Returns. I was hooked on Studio Ghibli’s movies. I began renting as many as I could find on NetFlix.

Castle in the Sky seems to be one of the earlier works, but wasn’t released in the US until recently. The story revolves around several people looking for a lost city called Laputa. The military wants this city for its technology. Pirates want it for untold riches that are bound to be there. Then, there’s Sheeta and Pazu, two children that are out to find the city, as well. (Sheeta has a special connection to the city.)

The thing that makes Laputa hard to find is that it floats above the Earth, hidden from view pretty well. Some doubt that it even exists. Pazu’s father died trying to prove its existence. Sheeta has the ability to find it, which makes her valuable to both the military and the pirates. Together, Sheeta and Pazu might just be able to find the lost city which floats above the planet.

There’s this great debate between Sub vs. Dub, or subtitles versus the English dubbing. I’ve always preferred the dub, mostly because the English voices are usually well-known actors. In Castle in the Sky, you have Mark Hamill, Mandy Patinkin, Richard Dysart and Cloris Leachman. From what I understand, the translation of some of the earlier works, like this movie, led to a ‘No Cuts’ policy, forcing a more literal translation of the movies. I’d love to learn Japanese to see the difference.

As I’ve said with other animated movies, there’s so much more you can do with animation. What would require special effects in a live-action movie is bound to look seamless in an animated movie. Castle in the Sky is a great example of such a movie. You’ve got all manner of flying ships. To look at Laputa is to see exactly what I’m talking about. Imagination is the limit with anime and animation Despite a somewhat complicated plot, I found it was easy to follow and understand. The story is as well crafted as the animation.

I never really thought the comparison of Ghibli to Disney was fair. Yes, both have produced a lot of great films, but both are radically different. Ghibli has produced a wide range of films, some being meant more for children and others that are better suited to adults. (Granted, Castle in the sky is probably better for children, but look at movies like Grave of the Fireflies.)

At just over two hours, it’s not too long. Everything about it is genius. I’d recommend it to anyone. 


Monday, April 06, 2015

Beavis and Butt-Head Do America (1996)

Note:  This review was originally posted to my Epinions account.


Beavis and Butthead to America is based on a popular TV series on MTV that aired around the time I was in high school.  The show focused on two teenagers that had little else to do than to make trouble at school, waste time working at a burger place and to comment on music videos.  They were so oblivious to their surroundings that the show was essentially a study in dramatic irony.  Many of us were sad when the show went off the air.  Then, in 1996, a Beavis and Butthead movie was released.  The masses rejoiced.

The movie begins when the duo's TV set is stolen.  Being the slackers that they are, their entire lives revolve around the TV set.  They have to find their TV set.  So, they set off to get it back.  Along they way, they meet Muddy.  Muddy will pay them good money to ‘do' his wife, Dallas.  (Beavis and Butthead take ‘do' to mean ‘have sex with' instead of ‘kill'.)  Having seen a picture of her, they think it a very fair deal.  Not only do they get to ‘do' an attractive woman, but they get paid to do so.

So, they're off to Las Vegas to find Dallas.  If you've seen the show, you know that the movie is going to be one long comedy of errors.  Beavis and Butthead have no idea what they're doing, or even what they're supposed to do.  They have no experience tracking someone down.  Amazingly, they do manage to find her.  They get really confused when she doubles his offer to do her husband.  It's then that she realizes what they're thinking and sends them off on a tour bus loaded with seniors.

The rest of the movie is Beavis and Butthead bouncing around the country not really knowing what they're doing.  Both are idiots, usually oblivious to their surroundings, so this is nothing new.  Throughout the movie, Beavis and Butthead are being chased by federal agents.  They manage to outsmart them entirely by luck.  Despite the agents' best efforts, Beavis and Butthead manage to stay ahead of them.

Those that saw the TV series will not be in for many surprises.  Most of the major characters are in it.  The movie doesn't have the music-video commentary that the TV series had.  However, a good part of the show was the total slacker humor.  This is the worst that teenagers of the time had to offer.  I don't know how the movie (or the TV show) would hold up if it was aired today.

Those of my generation loved Beavis and Butthead.  Most of the jokes required a little bit of thought, but were generally easy to get.  For instance, part of the movie shows Beavis and Butthead having their picture taken at various city-limit signs like Butte, MT.  Yes, they can be mildly offensive.  When a woman says that she's going to score on the slots in Vegas, Beavis thinks she means sluts.

For those that are a generation younger than me, I think you'd be able to get some of the humor, but part of it will be lost.  Yes, fart jokes never get old, but there are going to be a few references that were meant for the 90s.  I think at this point, it's safe to say that there's not going to be a sequel, although I do think there would be a definite market for it.