Showing posts with label Andy Samberg. Show all posts
Showing posts with label Andy Samberg. Show all posts

Monday, September 09, 2019

The Dark Crystal: Age of Resistance (Season 1)

There has always been a market for nostalgia.  There are t-shirts for 80s bands and old Nintendo games.  There are even emulators for the Commodore 64.  But to do a prequel series for a movie that’s 37 years old?

My first clue was when Netflix started streaming The Dark Crystal.  I hadn’t watched the movie all the way through in decades.  When I did make the attempt, something else would come up about 30 minutes in.  When I found out that Netflix was going to do a series about the Gelflings, I decided to set aside 90 minutes to watch the whole thing.

Both the movie and the series take place on the planet Thra.  The series would appear to be set well before the events of the movie.  There are seven tribes of Gelfling, all under the rule of the evil Skeksis.  Gelfling view the Skeksis as benevolent, which is just a little ironic if you’ve seen the movie.  The Skeksis have abused the planet for their own evil ends.  They want to live forever and will drain the essence of the Gelfling to get their immortality.

The ten episodes start with the Skeksis draining the essence of one Gelfling, Mira, and blaming her death on another, Rian.  Rian and two other Gelfling, Deet and Princess Brea, come to realize what the Skeksis really are.  This is what starts the Gelfling resistance to the Skeksis.

My one question was how true the series would be to the movie.  Stylistically, it would appear to be the same.  CGI was kept to a minimum, making the visuals look almost identical.  While many of the same characters are still present, very few of the actors have returned.  This is understandable, considering how much time has passed.   (IMDb has a tool to compare the cast and crew of any two productions.)

The story doesn’t drag as much as other series do.  You expect a little bit of padding, since it is a ten-episode arc, but there were very few places where this was evident.  A good deal of this is because we’re tuning in for the visuals.  With the movie, only a small portion of the planet was explored.  The series expands that quite a bit and gives each area a distinct look.  One tribe lives underground.  Another lives in a desert area.  It’s a lot to take in, but it still leaves you hoping to see more if we get a second season.

And it is a somewhat complex narrative.  There are three characters making their way to the same point to unite all seven tribes against a common enemy. Add to this the fact that they have to convince people that the Gelfling are an enemy.  It’s not that easy.  This is, after all, an epic undertaking on more than one level.


Saturday, October 22, 2016

Hotel Transylvania (2012) = A Nonlethal Varsity

Note:  This review was originally posted to my Epinions account.


I don’t know why, but when I get free stuff, my standards seem to be a lot lower.  This applies even when I have a wide range of selections to choose from.  Take Redbox.  Occasionally, I get codes for free movies, but the codes have to be used that day.  One of the problems with Redbox is that I can’t always get my first choice.  Sometimes, I can’t even get my second or third choice.  Since I’m already at the kiosk, wasting the code seems like a bad idea.  Even if I don’t like the movie, I’ll get a review out of it.

Hotel Transylvania was such a title.  I’m not a huge fan of Adam Sandler.  I knew going into this that he voiced Dracula, but he was at least tolerable in Click, so I figured that I’d give Hotel Transylvania a chance.  If you’re reading this, it means that I’ve gotten my review out of it and have commenced forgetting about the movie.

The story is that Dracula wants to protect his daughter, Mavis.  He hasn’t had the best of luck with humans.  Most monsters are of similar mind, so Dracula opened Hotel Transylvania.  The idea was that he’d build it someplace that humans wouldn’t know about and would set things up so that they wouldn’t want to go there even if they stumbled upon it.

Well, everyone’s coming over for Mavis’s 118th birthday celebration and wouldn’t you know it, a human named Johnny happens to stumble upon the hotel.  (Actually, he follows some monsters back from Dracula’s ill-advised attempt to trick Mavis into staying at the hotel.)  Anyway, Dracula notices Johnny before anyone else does.  Killing him outright is out of the question.  He can’t have him stay, though, for fear of upsetting the guests.  Sneaking him out proves problematic, so Dracula tries to hide Johnny as a long-lost relative of the right arm of Frankenstein’s monster, Johnny Stein.  Every attempt to deal with Johnny causes further complications, eventually leading to Johnny meeting (and falling for) Mavis.

This is what makes up most of the movie’s 91 minutes.  It’s Dracula being an overprotective father and making a few mistakes along the way, then having to fix them in the end when he realizes what it will really take to make his daughter happy.  Along the way, you have a lot of familiar monsters, at least in name.  You have Wayne the Wolfman, Frankenstein’s Monster, Eunice (a.k.a. Bride of Frankenstein), Quasimodo, the Invisible Man and so on.  I don’t think any of them act the way that they did in the movie.  Frankenstein is very friendly, for instance, even if he does fall apart on occasion.  Wayne is also normal father that tries to provide for his wife and many children.

It was a good movie, but it wasn’t great.  The one big drawback was Fran Drescher.  Had I known she was in the movie, I probably would have rented something else.  As with Sandler, I’m not particularly a big fan.  She wasn’t bad in this movie, but knowing that both were in this movie probably would have killed it.  There were a lot of people that I did like, such as Steve Buscemi, CeeLo Green and Jon Lovitz.

I also wasn’t a big fan of the style of animation.  It was a little exaggerated for me.  As I said, I was renting this for free, so I figured I’d at least try it.  However, animation is already a strike for some people.  Even for those that like animation, they may not like this style.  There were also a few scary moments when Dracula tried to intimidate Johnny.  It wasn’t wet-your-pants scary, but I was caught off guard and thought that it was a little out of place for a comedy.  We’re talking a few shots, a second or two each.

Ultimately, I have to learn to be more selective the next time I go to Redbox.   I think part of the problem with Redbox is that I tend to feel a little rushed and given the limited selection, I usually get the first thing that seems safe rather than take my time to find something I like.  Getting a movie like Hotel Transylvania is the result.  It wasn’t a horrible movie, but it wasn’t a great movie, either. 


Friday, January 16, 2015

Cloudy with a Chance of Meatballs 2 (2013)

Note:  This is a review of a sequel.  I’m going to give away some details of the first movie.  If you don’t like spoilers, be warned.


Some movies are harder to get people to watch than others.  Movies based on other media, especially books, can be hit and miss.  Sequels are also hit and miss, depending on how it was planned.  Also, not everyone goes for animated movies.  When Cloudy with a Chance of Meatballs came out, I noted that the style wasn’t quite what I was used to with CGI.  The sequel is in the same exaggerated style, but that’s not necessarily a bad thing depending on the audience.

In the first movie, Flint Lockwood had invented a machine that makes food from water.  This sounds great.  You have limitless food.  The downside is that it became harder to control.  The entire island of Swallow Falls is covered in food.  It requires the deactivation of Flint’s machine, the FLDSMDFR.

The sequel picks up not long after the events of the first movie.  Chester V, CEO of Live Corp, gets the job of cleaning up Swallow Falls.  He does this because he knows that Flint’s machine survived and is still working.  If Chester can get his hands on it, it could make him rich.  The only problem is that the FLDSMDFR has a mind of its own and is capable of fending off Chester’s people.

Chester’s last and only home?  Send in Flint on a super-secret mission to retrieve the machine.  This, of course, leads to the characters from the first movie finding out and going along to help.  Flint’s hesitant to risk the lives of his friends.  The way Chester tells it, there are all manner of dangerous creatures living on the island.

On the island, the group finds many of these animals, like a strawberry with arms, legs and a face.  Flint is initially terrified, as he’s the only one aware of the potential danger.  However, it becomes clear that the strawberry poses no threat.  Most of the other hybrids seem to be innocuous, as well.  Shrimpanzees, from shrimp and chimpanzees, seem to be ok.

When Chester discovers that Flint brought friends, Chester goes to the island with his orangutan assistant, Barb.  Chester saves them from a cheeseburger spider.  It eventually becomes evident to everyone in Flint’s party, with the exception of Flint, that Chester is manipulating Flint.

Despite the exaggerated animation, this isn’t a movie exclusively for children.  Yes, it’s one of those animated movies that has a few references for adults.  It kind of puts me in an odd position for recommending the movie.  The overall style of the movie seems to be geared towards small children.  It’s goofy and you get lots of puns, like repeatedly finding a leek.  (There’s a leek in the boat!)  It’s also predictable, like you might expect from a children’s movie.

There are also some more adult themes, like Chester, the evil CEO of an Apple-like company.  I don’t recall anything that would overtly offend younger viewers, but I wasn’t really watching it with that in mind.  (I don’t have kids, so I do really think it terms of what a kid should watch.)  Yes, there are a few dangerous situations.  The cheeseburger spiders can be scary.  However, I think the worst thing that a parent would have to sit through is all of the puns and food-related portmanteaus.

If you’ve seen the first movie and liked it, there shouldn’t be any surprises here.  The movie comes off as a continuation of the first movie without recycling too much of the original movie.  I’m a fan of animated movies, but I think most of the replay value will be for kids, though.



Sunday, November 16, 2014

Cloudy with a Chance of Meatballs (2009)

Note:  This review was originally posted to my Epinions account.

It’s not often that I get to see an animated film in theaters.  I have to wait until school starts to even consider it.  There are some, like Cloudy With a Chance of Meatballs, that I want to see in theaters because they’re released in 3 D.  (Fortunately, it was released just after the start of the school year.)

The movie is about a man named Flint Lockwood.  He’s been an inventor since he could pick up two things and put them together.  (His mother was always more understanding of this than his father.)  Tim Lockwood wants his son to do something more practical, like get a job.  Flint’s not ready to give up inventing.  Yes, he takes a job, but manages to invent a machine that can turn water into food.

This is good for a town that has way too many sardines.  (The local sardine-packaging plant shut down, leaving the residents with plenty to eat.)  If all goes well, Flint will be able to dial up any food that he wants.  As you might expect, Flint’s initial experiment fails.  Not only does he embarrass himself, but there’s no food from water.  At least, not yet.

Eventually, a weather system moves in and starts pouring food on the island.  Everyone is happy.  Flint has gone from being the town joke to a hero, surpassing ‘Baby’ Brent in popularity.  (Baby Brent was the baby used in advertising for the packaging plant, his only claim to local fame.)

People are making all sorts of requests, from spaghetti and meatballs to filet mignon.  It isn’t long before problems start appearing and Flint realizes he has to shut everything down.  Not so easy for a town that has become dependent on his invention and an invention that doesn’t want to be shut down.

The movie is pretty basic.  You have an unlikely hero who eventually has to make a difficult choice between finally being successful and doing the right thing.  It’s meant more for a younger audience.  (The movie is based on a children’s picture book.)  There are a few references that adults will get, but I can see a lot of adults feeling like they were dragged to see the movie.

I enjoyed watching it; don‘t get me wrong.  I have to admit that if I had to pick a movie to show adults to get them hooked on animation, this probably wouldn’t be it.  It’s a little too generic and safe to show that animation has the same range as live-action films.  The appearance of the characters was very exaggerated and cartoonish.  I could see this turning a lot of people away from animation.

It’s easy to identify with a main character that’s isolated.  He has a lot of good ideas, like spray-on shoes, that don’t work out.  Flint just wants to be accepted.  Even the love interest, Sam Sparks, is an intern looking for her big break as a reporter.  The mayor of the town is looking to recapture past glory with an amusement park, but co-opts Flint’s invention.  (Not exactly the acceptance that Flint wanted, but he’ll take it.)

The story is simple, yet entertaining.  At 90 minutes, it’s not too big of a commitment.  If you have kids or you like animated movies, I’d recommend renting it.