Showing posts with label Taron Egerton. Show all posts
Showing posts with label Taron Egerton. Show all posts

Monday, September 09, 2019

The Dark Crystal: Age of Resistance (Season 1)

There has always been a market for nostalgia.  There are t-shirts for 80s bands and old Nintendo games.  There are even emulators for the Commodore 64.  But to do a prequel series for a movie that’s 37 years old?

My first clue was when Netflix started streaming The Dark Crystal.  I hadn’t watched the movie all the way through in decades.  When I did make the attempt, something else would come up about 30 minutes in.  When I found out that Netflix was going to do a series about the Gelflings, I decided to set aside 90 minutes to watch the whole thing.

Both the movie and the series take place on the planet Thra.  The series would appear to be set well before the events of the movie.  There are seven tribes of Gelfling, all under the rule of the evil Skeksis.  Gelfling view the Skeksis as benevolent, which is just a little ironic if you’ve seen the movie.  The Skeksis have abused the planet for their own evil ends.  They want to live forever and will drain the essence of the Gelfling to get their immortality.

The ten episodes start with the Skeksis draining the essence of one Gelfling, Mira, and blaming her death on another, Rian.  Rian and two other Gelfling, Deet and Princess Brea, come to realize what the Skeksis really are.  This is what starts the Gelfling resistance to the Skeksis.

My one question was how true the series would be to the movie.  Stylistically, it would appear to be the same.  CGI was kept to a minimum, making the visuals look almost identical.  While many of the same characters are still present, very few of the actors have returned.  This is understandable, considering how much time has passed.   (IMDb has a tool to compare the cast and crew of any two productions.)

The story doesn’t drag as much as other series do.  You expect a little bit of padding, since it is a ten-episode arc, but there were very few places where this was evident.  A good deal of this is because we’re tuning in for the visuals.  With the movie, only a small portion of the planet was explored.  The series expands that quite a bit and gives each area a distinct look.  One tribe lives underground.  Another lives in a desert area.  It’s a lot to take in, but it still leaves you hoping to see more if we get a second season.

And it is a somewhat complex narrative.  There are three characters making their way to the same point to unite all seven tribes against a common enemy. Add to this the fact that they have to convince people that the Gelfling are an enemy.  It’s not that easy.  This is, after all, an epic undertaking on more than one level.


Friday, December 07, 2018

Robin Hood (2018)

Robin Hood and any associated character has long since passed into the public domain, so it’s easy enough to write a new story around them.  (This is the fourth version I’ve seen if you include Robin Hood: Men in Tights.)  Is it too much to ask, though, that someone come up with something a little better?

The basic story is the same.  Robin of Loxley goes off to fight in The Crusades.  He comes back to find that his lands have been seized by The Sheriff of Nottingham.  You see, Mr. Sheriff had Robin declared legally dead.  This means that the lands could be taken to beef up the war fund.  (I‘m not sure how that was supposed to work, as the lands have fallen into ruin.)  Also, Marian gave up on waiting for Robin and has taken up with Will Scarlet.

Robin is stopped by the father of a boy Robin tried to save overseas.  The father’s name proves too difficult to pronounce, so he agrees to go by the anglicized version of John.  The two agree to do what Robin of Loxley is known for:  Take from the rich and give the money to the poor.  Since Robin’s castle is abandoned, they can use it for training.

Do I regret seeing the movie?  Not really.  It was entertaining.  However, it was so anachronistic that I have to wonder what they were trying to do with this movie.  It looks like someone took the Robin Hood story, added a J. Crew catalog, added a pinch of Supercuts and put the whole thing on blend for 30 seconds.  Every time I saw one of the main characters, I couldn’t help but think how nice and neat they looked, as if they had just stepped out of the house.

There’s also nothing particularly new or great about the film.  It seems like it’s supposed to be a vehicle for something, but I’m not sure what.  There aren’t many lines that could be considered quotable.  There are some action scenes, but nothing spectacular.  In fact, it seems to just use familiar names to tell a familiar story.  It looks like no one was really trying.

The story has been redone so many times that you really have to up your game to stand out.  This version seems to have gone in the opposite direction, offering a stripped-down version.  I think that I’ll probably have forgotten about it by this time next year.


Saturday, October 31, 2015

Kingsman: The Secret Service (2014)

I remember seeing the coming attractions for Kingsman: The Secret Service.  I have a vague recollection thinking it looked interesting, but I never got around to watching it.  When my parents got it from Netflix, they managed to watch a whole five minutes before turning it off.  I was intrigued.

The story starts in 1997.  A team is trying to extract information from someone.  It’s a dangerous situation.  One member of the team sacrifices himself to save the rest of the team.  The leader of said team, codenamed Galahad, visits the family to inform them of the death, but can’t go into detail.  He does give them a medal with a phone number, should they wish to call in a favor at some later point in time.  The widow refuses it, so Galahad gives it to her son, nicknamed Eggsy.

Almost two decades pass.  Eggsy’s mother has remarried a total loser.  He now has a half sister that he has to worry about.  Eggsy finds himself in trouble with the law and uses the favor to get himself out of jail.  That’s where Eggsy’s adventure begins.  Galahad has recently lost another member of his team named Lancelot.  He sees potential in Eggsy to fill the spot.  Eggsy and several other candidates are tested by Merlin, all competing to become the next Lancelot.

Meanwhile, several important people go missing.  Galahad meets with one abductee who has been mysteriously returned but that turns out to be of little help.  One Richmond Valentine is behind it, but to why?  Much of the plot alternates between finding out what Valentine’s end game is and seeing Eggsy train to hopefully become the next Kingsman.  It’s not easy.  He has to go through several trials, like the water-filled room you may have seen in the coming attractions.

There is a Bond-like element.  Colin Firth is able to pull off the gentlemanly thing as Galahad.  I didn’t quite see it in Taron Egerton as Eggsy, but that may have been intentional.  His transformation may not be complete, as there is apparently going to be a sequel.  Also, this isn’t meant to be Bond.  The movie makes several reference to it not being that kind of movie.  Yes, Valentine is a billionaire in charge of a company that can do great harm, but he’s not over the top.

The movie’s not quite a spoof, but it’s not exactly taking itself too seriously, either.  I think this may be where I like the movie the most.  I’ve never been a huge fan of the spy movie.  Sure, I’ll watch a Bond film if it’s on.  However, I won’t always go out of my way to rent it.  In fact, I had watched The Kingsman when my parents rented it, but realized early on that it wasn’t for them.  Rather than return the movie and let the rental go to waste, I decided to watch it.  (I had seen the coming attractions, so I knew what to expect.)  I may see the sequel, depending on the sequel's coming attractions.)