Showing posts with label Gina Rodriguez. Show all posts
Showing posts with label Gina Rodriguez. Show all posts

Tuesday, February 12, 2019

Miss Bala (2019)

I’d like to think that people go to movies for a thought-provoking narrative.  Certainly, some moviemakers would spin their product that way.  A person grows as they go on a harrowing journey where they make life-long friends and discover themselves.  The audience even learns a little bit about themselves or a different culture.

But who am I kidding?  Give us a trailer with some attractive women and an explosion or two, and we’ll buy tickets.  Take Gloria Fuentes, an American who grew up in Mexico.  She’s visiting her friend, Suzu, to help her win a beauty pageant.  Gloria is a makeup artist, which helps.  Suzu has to impress the local chief of police at the local night club.  (He would seems to be able to fix the pageant.)

Armed gunmen enter the nightclub, chaos ensues and Gloria barely makes it out alive.  Suzu isn’t anywhere to be found.  You’d think at this point, the movie would have Gloria go through some elaborate plot to find Suzu.  Maybe she even meets someone who can help her.  If you’ve seen any movie, you know not to go to the police.  You especially don’t go to the police when you know that the chief is the least bit corrupt.

When Gloria goes to a local police officer and explains everything, the police officer takes her straight to the same gunmen that shot up the night club.  They take her passport and ID and have Gloria drive a car to a building.  (This is the scene from the trailer, wherein she blows up the safe house.)

This draws the attention of the DEA, who would flip Gloria into helping them take down the gang.  Sure, they could help find Suzu.  It’s the same offer that the gang made.  What the DEA have as leverage is the ability to lock her up and/or leave her to the gang, who might very well kill her.  So, yeah.  Gloria has no options.

There’s a part of me that would like to have been around while the movie was being written.  I’d like to know the thought process.  I get that Gloria doesn’t know the area that well.  I would think that she would have had at least one other person to turn to, even if it was one of Suzu’s family members or friends.  Instead, she does the one thing that most people in her situation should have at least thought about avoiding.  (At least keep information to a minimum.  If your primary objective is finding your friend, don’t offer up the fact that you can identify the criminals.)

Another bothersome aspect is that there are basically three main groups of people:  Beautiful women, corrupt police and gang members.  I wouldn’t think this is something Mexico would want to be associated with.  Well, the first one is debatable.  No one likes being called ugly, but women should have more to offer than their appearance.  Either way, I don’t think I’d want my country associated with violence, drugs and kidnapping.

On the bright side, there are some really good action scenes.  We get a few gun fights and whatnot.   There’s also the explosion.  With all the death and destruction, though, there’s not much for the kids.  Oh, and the drug references.  Like I said, corrupt police and gang members make up a good portion of the movie.  Yeah.  I’d leave the young ones at home.  Even with teenagers, this is a movie you’re probably going to have to have a discussion on the way home.  It’s a watchable movie, but it doesn’t make for a very good message.



Friday, November 23, 2018

Smallfoot (2018)

I recently started using AMC A-List.  So far, it seems to be working better than MoviePass.   I decided to see Smallfoot as my first movie with the program.  I picked a weekday showing early in the afternoon, not realizing that school was apparently out that day.  (It’s my own fault, since school tends to let out a lot this time of year.)  Still, I’m not sure if I made the right choice.  There weren’t many other movies that I had wanted to see, but there were a few that I could have picked.

The story goes that Yeti live at the top of a mountain.  Their leader, Stonekeeper, tells them that the Smallfoot doesn’t exist.  This is one of many rules and laws, all of which are written on stones.  Questioning the stones is frowned upon.  That’s why Migo is put in such a difficult position when he actually sees a human.  He realizes that smallfoot does exist and that at least one stone is wrong.  The fact that he has no proof doesn’t help.  Migo exiled for insisting that humans are real.

I had been hoping that the movie would have been more accessible for adults.  It wasn’t.  I got the very distinct impression that it was written with younger audiences in mind.  There wasn’t as much nuance as I would have liked.  Take the stones, for instance.  It could be seen as a play on religion.  There are many rules that are there to guide and protect the residents of the village, yet we know many of them to be based on lies.  Migo is apprenticing with his father to wake up the snail that lights the sky each morning.

The movie seems to be more formulaic than original.  We have a father that comes to appreciate his odd child.  We have a society that’s resistant to change.  There are also a few stock characters, like someone who has to learn what success really means to him.  I’ve seen comparisons to The Lego Movie and I can’t say that it’s entirely unfair, except that The Lego Movie did it better.