Showing posts with label artificial intelligence. Show all posts
Showing posts with label artificial intelligence. Show all posts

Wednesday, January 25, 2017

WarGames (1983)

Note:  This review was originally posted to my Epinions account.


WARNING:   I'm going to give away details about the movie, including the ending.


I’m a big fan of Beloit’s mindset list.  In it, the college has things that professors should keep in mind as to incoming students.  It seems like back in the 1980s, things were pretty basic.  Computers were text only.  Being able to draw a line was pretty neat.  I’m at an age now where incoming freshmen were born after I graduated from high school.  This means that incoming freshmen have never know a world with the USSR or a without a unified Germany.  A movie like WarGames would probably warrant visiting Wikipedia to find out what all of these things were.  (Back in my day, you had to go to the library.)

The movie is about a kid named David.  He has a computer and a phone line.  (I’m assuming it’s a dedicated line.  Those of us old enough to remember dial-up remember people yelling, “I’m on the phone!”)  He wants to find out about the latest video games that a company is releasing, so he finds out which telephone prefixes are near the company’s headquarters and sets his computer to dialing.  He eventually gets a few good candidates.  One computer, which goes by Joshua, has a list of games…including Thermonuclear War.  Sounds interesting.  The problem is that he needs a password, which he eventually deduces.

He sets out playing Thermonuclear War as the Soviet Union, targeting cities like Las Vegas.  Joshua plays as the United States.  NORAD -- the actual North American Aerospace Defense Command at Cheyenne Mountain Air Force Station in Colorado, goes on alert when their new computerized system starts saying that the Soviets have launched their missiles.  You know it’s a simulation.  I know it’s a simulation.  David and the computer know it’s a simulation.  When David shows up at NORAD, he realizes that it might not be a simulation, after all.  The computer is putting up what appears to be actual real-time battle information.  Sure, the Soviet Union denies everything and there’s no actual visual confirmation of anything, but better safe than sorry.  DEFCON goes from 5 to 4, indicating that they’re a little worried.

Eventually, NORAD figures it out and brings David in for questioning.  Being the young genius he is, he escapes and finds the program’s creator, Stephen Falken.  Publicly, Falken is dead, but Joshua seems to think otherwise, even giving David an address where Falken receives checks.  It looks like Falken is the only one Joshua will respond to.  They get Falken to Joshua in time to have Falken stop everything, but a new problem arises: Joshua wants the actual launch code to the US missiles so that Joshua can launch the actual missiles.  Unfortunately, Joshua won’t listen to reason.  It takes a whole lot of tic tac toe to convince Joshua that war is futile.  When Joshua realizes that there can be no winner in war, he relents.

There is a very dated feel to the movie, and we’re not talking about just the computers.  As I mentioned, the map is a little different now than when I was in high school.  Those in high school now will probably need a history lesson to understand the dynamics.  The term “mutually assured destruction” comes up.  This was the understanding that both sides had the power to wipe the other side out, which is what leads to the inevitability of both sides losing.  Yes, America still has enemies, but this doesn’t really come up so much.  We’re not necessarily staring down an actual missile any more.

We also take computers for granted now.  Joshua was supposed to eliminate human error and delay when launching the missiles.  Joshua would follow the order to launch.  This was a much bigger deal back in the 80s when it was still possible to find a house without a desktop, three laptops, a tablet and a dozen or so cell phones in it.  On that note, I doubt it would have been that easy to hack into a military computer that easily.  For that matter, why bring David all the way to NORAD?  Wouldn’t it have been easier to question him where he was?

There is still a suspenseful feel to the movie.  No one knows whether or not to take the threat seriously.  If it were anything else, you could dismiss it, but no one wants to be the one to pass off an actual missile as fake.  Plus, just when you thought it was all over, Joshua makes other plans.  I’m curious to know how younger viewers will look at this movie, though.  I’m sure parents and grandparents will have a different take on it. 



Monday, December 22, 2014

When Time Expires (1997)

Note:  This review was originally posted to my Epinions account.

When Time Expires is one of those movies that I’d always manage to catch the last third of on TV.  I was always curious to see how it started. It seemed like I could never find it on Netflix.  It seems that the movie, by itself, was only released on VHS.  I had to wait for Netflix to get the DVD double feature that pairs this movie with Tell Me No Secrets.  (I’ll be watching that in the near future.  I’ll let you know how it turns out.)

Richard Grieco stars as Travis Beck.  Beck works for some sort of intergalactic planetary federation or something.  There are two main ministries.  One makes predictions about the future.  The other sends people back into the past to make calibrations.  Beck’s job is to put a quarter in a parking meter.

You’re probably thinking that this is a menial task, which it is.  Apparently, Beck used to work for the other ministry and made some sort of big mess.  (Actually, he didn’t make the mess, but he was blamed for it.)  Now, he’s sent to some remote town to do some small task.  He’s given what’s called an Interface as a partner.  The Interface hooks up to a cable-ready TV and captures a human image, which it then takes as its own so that it can communicate with the human that it’s partnered with.

Around the same time that Beck shows up, two hit men also arrive in town.  Beck doesn’t learn of this until later.  What raises Beck’s eyebrow is the arrival of his ex partner, Bill Thermot.  (Bill Thermot is played by Mark Hamill.)   Considering how hard it is to go back in time, it can’t be a coincidence.  Even among the Interfaces, no one really wants to deal with Beck after what he supposedly did.

Beck just can’t shake the feeling that something more sinister is up.  This feeling is reinforced when he learns that there really are hit men out to get him.   He has his Interface do some digging and sure enough, something is up.  No, I won’t ruin it for you.  It is an interesting movie and I would recommend it to people.

For those that are whining about not liking science fiction, I will say that this isn’t your typical sci-fi movie.  You don’t get any technical stuff about time travel or people from other planets.  I got the impression that Beck isn’t human, but there’s no talk of how they go about taking on human form.  (We do learn that it’s a popular model, though.)  I’m actually surprised that he has a human-sounding name.

The acting is at least decent, even if the picture quality isn’t great.  The only attempt at any sort of special effects is someone disappearing when they die, which is at least done well enough.  The dialogue is a bit cornball at times.  It was a made-for-TV movie from 1997, so I don’t think that you can really expect much on any particular front.

According to Netflix, both movies on the disc are actually made-for-TV movies.  I’ve never heard of the other movie, which follows the pattern that I’ve noticed with these bundles.  I’ve usually heard of one movie, yet have absolutely no interest in the other.  (In this case, the other title doesn’t sound familiar at all.)

If you can rent the movie from Netflix or at your local rental place, I’d say go for it.  If you happen to catch the whole thing on TV, it’s worth watching to the end.  I don’t think I could really recommend buying it as I don’t think it would have much replay value except to lend out to someone.  I’d give the movie three stars. 



Tuesday, November 18, 2014

Transcendence (2014)

I’m usually a good judge of whether or not I’ll like a movie based on the coming attractions.  When I saw the coming attractions for Transcendence, it looked interesting.  A guy is able to upload himself to a computer.  I was thinking it would be about all the horrors that might ensue from having a human mind freed from the constraints of a human brain.  The movie wasn’t anywhere near what I expected.

Dr. Will Castor is said guy.  He’s an expert on AI.  He’s even had success copying the brain of a nonhuman primate to a computer.  Not everyone likes his work.  They fear what they don’t know.  Some are so afraid that they confront and shoot him.  Castor survives the bullet, but not the radioactive material it was laced with.  He’s forced to upload himself to a computer.

But is it really him?  We have no way of knowing if it’s his consciousness or just a program using his memories.  Will’s widow, Evelyn, is convinced it’s him.  Others, not so much.  The group behind the shooting are after her and the AI.  They’re even able to turn his friend to their cause.  Still, Will (in AI form) is able to set up Evelyn with more money than she’d ever need.  She uses the money to build a complex to house Will’s AI, allowing him to make all sorts of medical breakthroughs.

Things turn sinister when it’s revealed that by treating people, Will is able to absorb them into a collective consciousness.  Evelyn can’t stand the thought of losing what remains of Will.  Everyone else sees the inherent danger.  Eventually, she comes around, but the odds of her being able to help don’t look good.

For those of you that don’t like spoilers, I should warn you that the movie starts with the final scene, making it somewhat obvious that things don’t end well.  I’ve always hated this movie because I’m constantly wondering what brought the movie to that point.  I’m always trying to read things into everything.  It doesn’t really work well here.

Also, I know I’m not the first person to point out that the movie is kind of derivative in many respects.  Fear of AI is nothing new.  Could Will help people by curing all manner of problems?  Yes.  Could humanity lose its humanity?  Maybe?  Is it really Will?  As I said, there’s no way to be sure.

Also, the idea of uploading consciousness has been seen in The Lawnmower Man, Max Headroom and Caprica.  The idea of assimilating people has been done with Star Trek’s the Borg and Doctor Who’s Cybermen.  If you are the kind of person that really likes science fiction, you’re going to notice parallels to other movies and TV shows.

That was my big thing here.  I don’t feel like the movie did anything new with any of the ideas.  Actually, I don’t feel that the movie did much of anything with any of the ideas.  Most of the movie is Will in computer form.  The other characters are worried about what this could mean.  The most obvious threat is that he could absorb all of humanity and/or bring about The Singularity.  There isn’t much said about this other than it’s happening.

There are other issues that could be explored here.  Will is a nice guy.  What would happen if a dictator had uploaded himself?  Also, power corrupts.  Will is shown as being a little more aggressive, but at no point does Evelyn ever state that it’s gone to his head, so to speak.  Will is able to do almost anything he can think up.  What would stop him from becoming a dictator?  Is it better to stop him out of fear of him becoming ruler of the world or do you let him help people?

The movie seems like an episode of The Outer Limits stretched too far.  Where does humanity end and technology begin?  How do you stop someone who could easily become unstoppable?  The movie touched on these subjects, but not very well.  It was a 48-minute concept that the writers had to stretch to two hours.  It seemed forced.

Ultimately, the movie fell flat.  I kept waiting for the action to start and it didn’t.  There was no suspense.  There was nothing to make you think or feel for the characters.  Once Will is dead and uploaded, he’s not really shown as being in any danger.  The danger lies with Evelyn, who’s effectively being held hostage.  However, she has a nice-looking place to live and enough food and water to last her indefinitely.  The only problem is that she’s at Will’s mercy.  The movie presents the issue, but doesn’t deal with it.

I had used a free Redbox code to rent the movie.  I’m glad that I didn’t have to pay money for it.  It ended up being a disappointment.  It ended up being a movie in desperate need of a direction.