Showing posts with label Topher Grace. Show all posts
Showing posts with label Topher Grace. Show all posts

Sunday, April 28, 2019

Breakthrough (2019)

There’s a scene, early in the movie, where we see a Christian band performing.  Rather than keep it brief, it goes on just a little too long.  All I could think was that it was time to move on to the next thing.  This proved to be a pretty good analogy for the rest of the movie.  Everything about it is just a little too much.

The movie is based on a book, which was an account of a true story.  The book was written by Joyce Smith about her son, John, who fell into a frozen lake and was pronounced dead.  He makes a full recovery because of Joyce’s faith in the Christian God.  There are a few scenes where this is done subtly.  Tommy Shine, a paramedic trying to get John out of the water, hears a voice that he initially assumes to be his boss’s.  When his boss denies it, it must be God.

Many scenes are more blunt.  When Joyce is allowed to see John’s body, she starts praying.  Right when she asks for His help, John’s heart starts beating.  Coincidence?  It’s probably not that simple.  Between the fact that John’s mother wrote the book and the fact that Hollywood is known to embellish a little, I would think that there’s more to the story.

I would come down harder on Joyce except that the movie does well in portraying her as a mother in grief.  I get that she’s dealing with the possible loss of her son.  My issue is that religion is the only mechanism that she has to deal with that stress.

When Joyce overhears doctors talking about the reality of John’s condition, she forbids any such talk in his room.  When friends and neighbors are gathered in the waiting room Joyce overhears someone telling their daughter that John’s might not make it.  Again, she forbids any negativity.  (Fortunately, Brian calls her on this.)  Instead of religion being a powerful force, it could easily be seen as a crutch.  It’s like that saying: If all you have is a hammer, everything looks like a nail.

Consider something called survivorship bias.  Dr. Garrett indicates that he’s never seen someone that far gone come back.  How many of those other patients had family members and friends praying for them?  Maybe we’re to believe that Joyce is just better at it.  It’s because of her sheer willpower that God let John live.

One might say that this was all a way to let Joyce shine and show her faith.  She gets to tell everyone that God will take care of it.  Maybe it was to show her to tone it down a bit.  She is at odds with a lot of people, including the pastor.  It’s easier for me to believe that it was all random.  To put that much stock in faith undercuts the work that medical professionals do.  John is lucky to be alive and to have parents that love him.  I just don’t think that God was ever part of it.



Monday, August 27, 2018

BlacKkKlansman (2018)

I’ve often wondered what an alien race might think of us.  I pointed out in a review of Dark Girls that they might not want much to do with us, given how we treat each other.  We have groups like the Ku Klux Klan that espouse the supremacy of those descended through Europe.  We tend to look down on each other.

When Ron Stallworth joined the Colorado Springs Police Department, he wanted to work undercover.  He got his chance by reporting on a rally hosted by local Black student union.  Speaking is Kwame Ture, who inspires Stallworth.  (Stallworth doesn’t agree with everything Ture has to say, but admits that he’s a powerful speaker.)

One day, while reading the newspaper, Stallworth sees an ad for the local KKK chapter.  On a whim, he calls and leaves a message.  This leads to a callback and a meeting.  It’s bad enough that Stallworth used his actual name.  Now, he needs to enlist fellow undercover officer Phillip Zimmerman.  Stallworth will be the voice on the phone while Zimmerman will play Stallworth for any face-to-face meeting.  The objective is to bring down the chapter of the Klan.  Although that doesn’t happen, the police do manage to stop a few cross burnings.

The movie is based on a 2014 book that Stallworth wrote about the investigation.  While I would imagine that the story is by and large true to the book, it looks like some liberties were taken.  (Ron Stallworth never actually altered his voice on the phone, for instance.)  It’s still interesting to see the events play out.  Apparently, Stallworth never intended the investigation to go that far.  A lot of it was making things up as they went along.

The movie plays out more as a comedy than anything dramatic or suspenseful.  (There is a sense of historical irony when characters comment on things that have actually come to pass.)  There isn’t a sense that either Stallworth or Zimmerman are in any real danger.  You know that even if they don’t win the battle, they’ll live to fight another fight.  They also won’t necessarily make an impact on the larger picture, as the KKK is still around.

As you might have seen in the trailer, the movie doesn’t shy away from using derogatory terms.   There are also a few tense moments.  This is not going to be a movie for children.  There are way too many situations that would either be inappropriate or go over their heads.  Even for adults, ther ewill be a few uncomfortable scenes.  The movie does deal with race directly.

It is interesting to see the parallels between the African-American students and the KKK.  Both want to advance their cause, although the students want equality whereas the Klan (or the Organization, if you will) wants supremacy.  Thus, Stallworth has to walk a fine line.  Those in the African-American community don’t like the police, and with good reason.  As Stallworth points out, the best way to affect change might be to do it from within.