Showing posts with label Mindy Kaling. Show all posts
Showing posts with label Mindy Kaling. Show all posts

Monday, June 17, 2019

Late Night (2019)

Katherine Newbury is not an easy person to work for.  When someone asks her for a raise, she fires him.  His main reason for asking is the birth of a child, who will contribute nothing to the show.  Also, most of her writing staff has never met her.  Many haven’t even seen the stage where she hosts her late-night talk show.

She’s pressured to add diversity to the writer’s room because all of her writers are white and male.  As luck would have it, Molly Patel is looking to become a writer for the show and happens to show up moments after an opening becomes available.  Yes, Molly does have comedic talent, but she’s coming from a chemical plant where she worked in quality control.

It’s a rough ride at first, but Molly starts to find her place.  She even gets a joke in the monologue after convincing Newbury to be more daring.   Success doesn’t last long for Molly.  She has to put up with seven men who aren’t happy to see her there.  Her boss doesn’t really much like her, either.  (Molly finds herself fired twice during the course of the movie.)

She’s also constantly reminded of the fact that she’s a diversity hire.  (The workplace is so dominated by men that they’ve taken to using the ladies’ room, as there are no women there.)  She’s faced with a choice, though.  She can concentrate on the ‘diversity’ aspect of her employment or she can focus on the ‘hire’ part of her employment.  She has the job she wanted.  Does it matter how?

Newbury also has some facts to face.  She’s trying to hold on to a show she’s been hosting for nearly 30 years.  She’s not willing to admit that she’s stuck in a rut.  Just because it was successful before doesn’t mean that it will connect with today’s audiences.  She’s not getting any tweets or followers on social media.  What she is getting is replaced and by a comedian who’s very crude.

The movie comes across as a showcase of problems in the motion-picture industry.  Male privilege, age discrimination and Tokenism are addressed.  None of it seems forced, though.  It’s more a way of using the movie as a way to introduce various talking points while not being too pointed about it.  (Molly finds herself crying in the ladies’ room until she’s kicked out by a man who needs use it.)

So, Newbury and Molly need each other.  They both have similar stories.  Each is trying to make it among a crowd of men.  Each has issues they have to face because of that.  Ultimately, each will succeed or fail on their own terms.


Monday, June 11, 2018

Ocean's 8 (2018)

I suppose there are only so many ways you can do a heist movie.  They tend to be formulaic, almost like Hallmark movies.  The formula usually starts with one person hatching a plan and assembling the right team.  They’ll need someone to crack a safe or someone to infiltrate security.  Maybe they’ll use someone in disguise.  They might have an inside person.  They’ll almost always need someone to fence the merchandise.

The second phase is usually the preparation.  The team has to go over the plan.  They get any supplies they need, like vehicles.  They do any prep work.  There’s usually exactly one major setback when someone discovers something has changed.  It’s usually a critical detail, like the type of vault has changed to the one vault that can’t be cracked.

Once that’s out of the way, the third phase begins, which is the actual heist.  This is where everyone pays attention.  The well-orchestrated plan usually goes off with maybe one or two hitches.  Someone has to improvise, creating tension, but they always pull it off.  (Even when it seems that they don’t, it might mean that it was all part of the plan.)

Part four is the aftermath.  This is where the characters will sell off any items that aren’t cash and split the proceeds.  We’ll also get to see any of those details that we missed.  There may be a few lingering details, like getting rid of the police, but these points are usually minor.

Ocean’s 8 focuses on the sister of Danny Ocean, one Debbie Ocean.  She has been planning a heist during her time in jail.  She’s had five years and eight months to work out the details.  Her plan is to steal diamonds that has been in storage for several decades.  She gets Cartier to put the necklace on the neck of unsuspecting actress Daphne Kluger, who can then be led into a bathroom where the team can steal the goods.

In some respects, this is almost the very definition of a sequel/remake/spin-off that I hate.  There’s a very cookie-cutter feel to it.  The question becomes if the ingredients will be enough of a difference.  There are a few tense moments, but you always get the impression that it’s going to work.  (Well, it worked in the other three movies.  Didn’t it?)

The main characters also seem to work naturally together.  Each one has a reason for wanting to do this.  A few even have to be mildly goaded into doing it.  I never felt like any of the characters were out of place or unnatural.  And yes, it’s an all-female team doing the heist.  I’m glad not to have heard much in that respect.  It really didn’t matter.  I will say it was fun to watch James Corden as the insurance guy.  He played the part perfectly.

My only question is why Danny Ocean couldn’t have been in this movie.  We get a few reprisals of roles from the original trilogy.  (A trilogy based on remake, it’s worth noting.)  The movie has Debbie visiting her brother’s mausoleum early in the film.  He apparently died in 2018, prior to the events of the film but long after the events of the previous one.  Is this to say that there’s no going back?

At least the movie was entertaining.  I never felt bored or as if I was rewatching the other movies.  (This may have to do with the fact that it’s been so long since Ocean‘s 13.)  I think had I not had Moviepass, I may have waited for this to come out on DVD if I saw it at all.  I may not have really taken a chance on it.  As much as I like the actors, there’s always that fear that it’s going to be too much like the previous movies.


Monday, September 07, 2015

Wreck-It Ralph (2012)

Sometimes, it’s hard to break out of a mold.  If you’re destined for greatness, you don’t question this.  However, if you’re destined to be the bad guy, you may just want a chance to prove you can do better.  Such is the life of Wreck-it Ralph.  He’s a good guy, but he’s been cast as the villain in a game called Fix-it Felix, Jr.  Everyone loves Felix because he comes to the rescue.  No one wants anything to do with Ralph because he’s a big oaf and all he does is destroy stuff.

This is how the game was designed.  Characters have to stay in character while the game is on, but this seems to extend into their off time, as well.  Ralph has his purpose, but he also has his place, and that place happens to be a pile of bricks at the end of the day.

One day, he decides to take matters into his own hands.  One of the residents of the building he always destroys tells Ralph that if he can win a medal, he can have the key to the penthouse.  He then goes into a first-person shooter game called Hero’s Duty and manages to get the medal, but inadvertently puts another game at risk.  Also, since Ralph wasn’t in his own game, Fix-it Felix, Jr. is assumed to be broken and may be unplugged.  He’s given the key he was promised, but is further ostracized.  To make matters worse, he has endangered a third game called Sugar Rush Speedway.  While in the game, he meets a character going through a similar plight.  (Vanellope von Schweetz isn’t even allowed to participate in her game.)

This is one of those movies where you can probably figure out what’s going to happen.  If Ralph doesn’t get what he wants, he’ll at least put things back close to the way they were and maybe earn some respect.  The fun of the movie, at least for adults, will be nostalgia.  We get to see a lot of video-game characters for 30 years ago, like Pac-Man and Q*bert.  Some of the games were designed for the movie, either to make it easier to write the story or to at least avoid copyright issues.  The characters live in their own universe with games connected by the power cords.  (Those whose games were shut off live in power strips.)

You’d think that animated means simple, but this was one of the more interesting animated movies I’ve seen in a while.  The main character is a villain trying to be a hero.  He meets another character that also just wants to be accepted.  Yes, a few of the characters are a little exaggerated, but this is a movie about video games and their characters.  This is to be expected.  You can empathize with Ralph; the people in his game aren’t necessarily nasty to him, but they could do a lot better.  He’s not asking for much.

There were a lot of references to video games, a few of which I missed.  Those that grew up in the 80s will probably recognize many of the characters and games.  There are a lot of throwaway jokes based on games, both classic and current.  Most are simple, like graffiti in bathrooms and stuff.  It’s definitely a fun movie.  I’d recommend renting it.