Showing posts with label Marvel Comics. Show all posts
Showing posts with label Marvel Comics. Show all posts

Friday, April 05, 2019

Captain Marvel (2019)

I was recently in Portland, not to far from the last remaining Blockbuster Video.  I was tempted to make the trip over, but I was traveling with my parents to see family.  It was too far out of the way and I don’t think my parents would have wanted the side trip.  For me, it’s really more a curiosity.  It’s not so much that video stores came and went.  Nothing lasts forever.  Rather, it was more about the fact that it was still around.  What was it about the location that gave it that sort of staying power?

The only reason that I bring this up is that Captain Marvel uses Blockbuster and other icons of the 1990s as a backdrop to tell its story.  It starts out in the Kree Empire with Vers (pronounced with a long E) training.  She has full retrograde amnesia, leaving most of her memories beyond her reach.

She and her team are sent to recover an undercover operative, but that mission goes sideways.  Vers finds herself captured by the Krull, who attempt to probe her memory.  One thing leads to another and Vers finds herself stranded on Earth, with all manner of things not meant to last, like two-way pagers and Nick Fury without an eye patch.

This is the origin story where Vers finds out who she is and what’s going on all while trying to save the planet.  Yes, there’s danger and not everything is what it seems.  (The instant I saw the cat, I knew it was more than a cat and I’ve never read the comics.)

This is the Marvel Cinematic Universe’s first female-led title.  I think there’s something about being second that steals the thunder a little bit.  Wonder Woman was epic.  Captain Marvel seemed a little less so.  Both featured strong women.  Both had amazing coming attractions.  Something about Captain Marvel seemed a little off, though.

Don’t get me wrong.  It was still a good movie.  It’s just that the movie seemed a little too grounded in nostalgia.  The soundtrack was straight out of the 1990s.  Someone my age is going to get a lot of it.  I don’t envy someone who has to explain to their children what a payphone is.  (“You see, you could put a quarter in and make a call to someone.  No, this was before cell phones.  Why are you looking at me like that?”)  Given that this is part of the Marvel Cinematic Universe, we know that Vers will show up again.  I’m just wondering what a second stand-alone movie would look like.


Monday, February 19, 2018

Black Panther (2018)

Context matters.

It‘s true for art as well as people.  How a movie is interpreted depends on where it came from and who made it.  Also, what I bring to a theater will differ from what someone else brings to the theater.  I doubt that any two people will see Black Panther the same way.  (For instance, those that have studied history will probably pick up on certain aspects of the movie.)

There’s also the fact that there’s a majority-black cast.  As someone of European descent, I’m viewing the movie more as a comic-based action movie, which it does well.  However, it also has a hero who’s African.  It didn’t come off as an African hero movie to me.  It came across as a movie that used Africa and its culture as an effective backdrop to a great story.

Black Panther starts in 1992 with the then-king of Wakanda, T'Chaka, calling out his brother, N'Jobu, on assisting an arms dealer named Ulysses Klaue.  Cut to a small boy on a basketball court watching the king‘s ship leave.  In the present day, T’Chaka has died.  T’Chaka’s son, T'Challa, ascends to the throne after a ritual battle.  Meanwhile, Erik Stevens is helping Klaue steal vibranium.

Wakanda is a technologically advanced nation that uses vibranium as the basis for much of its technology.  It presents itself as a developing nation, keeping the technology hidden from the rest of the world.  Klaue is one of a few outsiders that know of the truth.  It was N’Jobu’s plan to share the technology to help oppressed people everywhere.  Klaue and Stevens have picked up the torch.

Well, Stevens moreso than Klaue.  Klaue is an arms dealer who intends to sell the vibranium.  He’s a rather happy guy for an arms dealer.  He really seems to enjoy his job.  Stevens tends to identify with those that were oppressed.  Like N’Jobu, he’d like to see Wakandan technology given to the underdogs.

This isn’t an easy call.  Wakanda has remained hidden for a reason.  To give out the technology would invite questions about where it came from.  There’s also the issue of the oppressed not stopping at mere freedom.  Our history is one of war and oppression.  Who’s to say that it wouldn’t completely reverse the dynamic rather than bring balance?

I do see the comparisons to the Bond movies.  You have a hero who gets great gadgets and cool transportation from a scientific advisor.  In this case, Q’s counterpart is T'Challa sister, Shuri.  She presents him with stealth shoes, communications devices and the suit you may have seen in the coming attractions.

I would say that the primary difference is that you don’t have the sexual innuendo and ironic names.  (Well, there is Killmonger, but I’m going to let that one go.)  I would say that if anything, this is what James Bond might have looked like if the movies were done with more of a serious tone.

For those who are new to the Marvel Cinematic Universe, the movie doesn’t seem to rely too heavily on other movies.  There were a few scenes that made more sense after looking stuff up, but I was able to follow and enjoy the movie without much trouble.


Tuesday, September 13, 2016

Daredevil (2003)

Note:   This review was originally posted to my Epionions account.


Movies and TV series based on comic books are nothing new.  There have been all sorts of animated features throughout the years.  It seems like over the past decade, there have been a few live-action big-budget movies made starring big names.  Many were good.  Some, not so much.

In 2003, Ben Affleck stared as Matt Murdock, a.k.a. Daredevil.  Matt’s story starts early; as a child, he was blinded by toxic waste.  The up side is that his other senses are heightened.   He can use his other senses to ‘see’ the world in a Matrix-style way.  He’s also able to leap off of tall buildings and land safely on the ground.  As an adult, Murdock serves as a defense lawyer during the day, helping those that need it most.  Daredevil comes out at night to fight crime in Hell’s Kitchen.  (He seems to pick criminals that the court system lets go.)

In the movie, Daredevil is trying to work against The Kingpin, who runs the area’s organized crime.  Enter Elektra Natchios, the daughter of Nikolas Natchios.  Unbeknownst to Matt, Nikolas has ties to The Kingpin.  Unbeknownst to Elektra, Matt is Daredevil.  Things get complicated when Nikolas wants out.  Enter Bullseye, who is hired by The Kingpin to kill Nikolas.

I don’t want to ruin the entire movie for you, so I’ll stop here.  I did have a few problems, all of which don’t require me to give anything else away.  First, it seemed like the movie went slow, then was rushed.  There were three main story lines to the movie.  One was Daredevil vs. The Kingpin.  Two was Daredevil vs. Bullseye.  Three was Matt becoming romantically involved with Elektra.

Daredevil vs. The Kingpin didn’t really seem that developed, mostly because Daredevil was fighting with Bullseye most of the time.  Both of these relationships seemed like something you’d use over the course of a TV series.  If there is a sequel, Kingpin will most likely be back.

However, Bullseye definitely seemed rushed.  Even though the pacing seemed appropriate, it seemed like Bullseye was used too much too quickly.  He seems like someone that would make a good archenemy.  Even the relationship between Daredevil and Elektra was rushed.  It’s almost like they weren’t planning on a sequel.

Overall, the movie was very dark.  Not only was much of it action, but much of it took place at night.  It seemed like the movie was driven by the fight scenes with the dialogue there only to string the fights together or give them context.  I think one of the overriding themes in the movie was revenge, which really adds to the darkness of the movie.  It’s definitely not something for small children to watch.  I don’t think they’d understand most of the themes.

I don’t read comic books, so I don’t know how the movie holds up to the source material.  However, it seemed like the movie relied on a superhero formula.  Give a hero strength (or at least ability) and give him a weakness.  Fill in the history as needed and you have a superhero.  In this case, Daredevil had most of his senses heightened, but was blind and could be incapacitated by loud noises.  Even Superman had his kryptonite.

What I remember, the coming attractions were a little misleading.  I thought that Elektra’s story would turn out much differently than it did.  It would be interesting to see how they pull one out of this, as most of Daredevil’s relationships in this movie could very well have come to an end.  (Actually, a few did.)  Overall, I really didn’t like Daredevil.  I think if this had been the first comic-book based movie I had seen, I probably wouldn’t have seen many others.