Showing posts with label Frank Oz. Show all posts
Showing posts with label Frank Oz. Show all posts

Thursday, February 06, 2020

Knives Out (2019)


I remember hearing about the TV show Alias.  In it, the main character’s father works for the CIA.  Except he doesn’t.  Except he really does.  Knives out is sort of like that.

Harlan Thrombey is a mystery writer who is found dead in a locked room.  It appears to be suicide.  Except his family hated him, so it had to be murder.  Except it’s impossible to prove who.  Plus, he was found dead in a locked room.  So, the police have plenty of suspects, but no real evidence.

Benoit Blanc, a private detective who was hired anonymously, is convinced it’s murder.  He presses the investigation until he figures out what really happened.

I don’t see a lot of mystery movies.  I tend to find them all very similar.  We have a few plot twists.  Some, we see coming.  Some, we don’t.  We have a lot of people who stood to gain from Thrombey’s death and they all look guilty.

Then, there’s Marta Cabrera, who is acting guilty.  She knows something.  Did she murder him?  Does she know who did?  Why isn’t she saying anything?

We come to find out that guilt isn’t so clear-cut a thing.  It’s almost like that riddle where a man falls off a roof only to be shot on the third floor.  Is the shooter guilty?  Well, it’s more complicated than that.  Yes, mistakes were made.

My biggest complaint about this movie could have easily been the bad decisions made.  It’s always easier to come forward (or at least get a lawyer) first thing.  At least it wasn’t overdone.  We understand that Marta is in a difficult position.

The family also could have been overdone.  Most of them are easy to dislike.  We don’t really want to see any of them get their share of the estate.

It’s an interesting movie that’s got an interesting set of circumstances.  It almost appears to be written by someone who dislikes a lot of the clichés I dislike, but didn’t want to necessarily parody the genre.  I wouldn’t call it wish fulfillment, necessarily.  However, it does play out rather interestingly.



Monday, August 05, 2019

The Dark Crystal (1982)

There were a lot of movies from my childhood that I liked.  Watching them again as an adult isn’t always the best decision.  I recall liking the live-action He-Man movie to an extent.  Recent viewings of the movie don’t do as much for me.  Similarly, I recall liking The Dark Crystal when I was growing up.

My parents probably let me watch it because it was made by Jim Henson.  The production values are certainly there.  You have big, strange-looking creatures.  The Mystics, also called the urRu are peaceful and look kind of plain.  The Skeksis are kind of weird looking and are out to rule this strange world.  Caught in the middle is Jen, a Gelfling raised by the Mystics.  He believes that he’s the last of his kind until he’s sent on a mission.

A thousand years ago, a crystal was shattered, creating the two main races.  If the crystal is fixed, Thraa will know peace.  If not, the Skeksis will reign for the rest of eternity.  A prophecy holds that a Gelfling will be the one to fix the crystal, so the Skeksis wipe out the Gelfling village, not knowing that Jen survived.  He’s sent on his way by a dying Mystic, who doesn’t give him a lot of information.

He is able to find Aughra, who provides Jen with some answers.  It’s not enough to make the mission’s objective much clearer.  He does meet another Gelfling named Kira along the way.  The two make it to the Skeksis’ lair and are able to reunite the crystal and saving the world.

The movie is a little strange.  It’s kind of simple for adults.  It’s a rather direct story.  It’s also populated by Muppets, which will make a lot of people think it’s for kids.  It is a somewhat dark movie, though.  The Skeksis are able to drain the essence of other beings for the purpose of keeping young.  There isn’t a lot of fighting, but there are a few scary moments.  I’m not really sure who the target audience was, here.

There was a planned sequel, which makes sense.  I could see this setting up a larger storyline.  Unfortunately, that  never came to pass.  It would have been interesting to see where that went.  The Jim Henson Company did begin producing a prequel series, which is set to be released at the end of this month.  I’m not sure what the series will bring.  It may detail how the crystal was fractured.  It may explore the Gelflings or other races.  Either way, I would probably watch it.

This is a world that could use some exploring.  There are some tie-in products like books and novels.  It would be interesting to look some of those up before the series airs.  I’m not sure what kind of availability each has.  Either way, I am definitely interested to see where the Netflix series goes.


Saturday, September 24, 2016

Spies Like Us (1985)

The Defense Intelligence Agency has a problem.  They’ve been sending their best spies in to Soviet-controlled Asia, yet all of them are killed before reaching their target.  The DIA’s solution is to send in two of their worst spies as decoys.  Hopefully, this will throw off the enemy long enough for the actual spies to complete their mission.  This is where Dan Aykroyd and Chevy Chase come in.  They play Austin Millbarge and Emmett Fitz-Hume, respectively.

Millbarge is a code breaker that’s stuck in a basement and will probably never be promoted.  Fitz-Hume is a legacy employee and will probably never be promoted.   Both want to take the foreign service exam, although for different reasons.  Millbarge is smart and driven enough that he might pass, but Fitz-Hume gets both of them kicked out for cheating.  The DIA realizes that they have their decoys.

Millbarge and Fitz-Hume are told just enough that they could believe that they’d be useful.  They’re rushed through basic training.  They’re given just enough details that they know where to go, but not enough to let them complete their given mission.  That much doesn’t even become apparent until they’re in the thick of things.  Hopefully, the Soviets will see the two of them bumbling around and capture them.

This was one of those movies that I sort of remembered watching at some point in the past.  There’s a good reason for this.  The movie was released in 1985 and is dated.  The Soviet Union has since dissolved.   Many of the computers look like something out of a history book.  Even the image of a spy is like something out of the 80s.  It’s a very goofy movie, as you might expect from Aykroyd and Chase.  There’s one scene where Millbarge and Fitz-Hume are talking to a group of doctors, posing as doctors themselves.  Everyone greets each other as doctor. It’s a minute of people just saying, “Doctor,” to each other.

I’ve always wondered what actual spies/operatives even would think of movies like this.  I know it’s supposed to be a comedy.  Accuracy often takes a back seat to comedy.  In that regard, you’re probably going to get some laughs out of the movie.  I’m not sure what those younger than me would think of the movie.  This is something I could see someone my age watching with their kids where the parents laugh and the kids don’t quite get it.  This movie was definitely a product of its time.


Saturday, January 23, 2016

Bowfinger (1999)

Note:  This review was originally posted to my Epinions account.


Sometimes, it takes a lot of determination to do what you want to do.  Robert K. Bowfinger (played by Steve Martin) wants to produce a movie and he has determination to spare.  What he doesn’t have is a good script, cash, or enough talent to go around.  One day, Bowfinger’s accountant/receptionist, Afrim, comes up with a script for a movie called Chubby Rain.  (The premise is that aliens come down in rain drops, making them bigger than normal.)

Now, Bowfinger has the script, but he still faces all of the other problems.  To add to his troubles, he can only get in with a studio if he gets Kit Ramsey (played by Eddie Murphy) to star in his movie.  Ramsey is the biggest star in Hollywood.  There’s one small catch: Ramsey doesn’t want to do it.  That’s no problem.  They’ll just film Ramsey without his knowledge.  After all, Bowfinger says that Tom Cruise didn’t know he was in Interview with the Vampire for several years.

So, now, Bowfinger has to lie, cheat and steal his way through the movie.  The only other person that knows what’s going on is Dave and that’s primarily because Dave has a small job at a big studio.  Thus, he can ‘borrow’ equipment.  Bowfinger also ‘borrows’ a credit card from one of the actors to rent or buy equipment.  Since no one else knows that Kit Ramsey isn’t actually involved in the project, Bowfinger has to invent a story as to why Ramsey isn’t to be approached for any reason.

The biggest obstacle is getting the shots of Ramsey where his character has to do something that he wouldn’t normally do.  For this, they hire a look-alike named Jiff.  (Jiff is also played by Eddie Murphy.)  Jiff’s primary job will be to do errands, which he says would be a big boost for him.  When the time comes, he’ll have to do several scenes in Ramsey’s place.  (One of the funniest scenes is the highway scene.  This alone is worth getting the movie.)

Since Bowfinger is a comedy, you have to know that the movie will work out in the end.  Yes, there are major hurdles, setbacks and obstacles, but where there’s a will, there’s a way.  When I had seen the movie, I hadn’t yet really heard of Ed Wood, but for those that know about Wood, you may notice some similarities.  Wood was known for making below-par movies with other people’s money and using a lot of stock footage.

The movie is never slow or boring.  There are a lot of jokes and funny scenes.  Kit Ramsey, for instance, seems to have mental issues.  He’s convinced that alien voices in his head want him to flash the Laker Girls.  (Since he’s already paranoid about aliens, unknowingly starring in a movie about alien invaders isn’t the best thing for him.)  Ramsey is also part of a group called Mind Head, which is a thinly veiled substitute for Scientology.

This is the kind of movie you could watch repeatedly.  There are very few movies I’d recommend buying; this is one of them.  (If you rent it, you’ll probably end up buying it anyway.)  There are so many funny scenes in the movie that you’ll probably miss most of the jokes only because you’re laughing so hard.  This is definitely a must-watch film.

Wednesday, May 28, 2014

Trading Places (1983)

Nature versus nurture has been an ongoing debate as long as I can remember.  One side says that upbringing is everything.  Given the right resources, education and opportunity can make all the difference.   The other side says that it’s all genetics.  Given the right lineage, you can do anything you set your mind to.  Randolph and Mortimer Duke, who own a commodities brokerage, start debating which is more important.

The debate escalates to where they place a wager.  If genetics is all powerful, then someone would land on their feet no matter what.  If opportunity trumps all, then some guy brought in off the street could be trained to do anything.  As it so happens, they have the perfect person to take a fall:  Louis Winthorpe III, played by Dan Aykroyd.  He manages their business and is engaged to their grandniece, Penelope.  He has all the good lineage and wealth the Duke Brothers could ask for.  Now all they need is someone to take his place.

Enter Billy Ray Valentine, played by Eddie Murphy.  He’s a fast-talking con man off the streets.  He gets arrested when he bumps into Louis.  (Louis thinks that Billy Ray is trying to steal his briefcase, which contains payroll checks.)  He’s the kind of guy that the Duke Brothers feel wasn’t given the right opportunities.

The Duke Brothers bail Billy Ray out of jail and set him up in Louis’s place.  Meanwhile, they make it look like Louis stole three marked bills.  Louis winds up in jail.  He gets out quickly, but is turned away by Penelope.  He also finds that his accounts are frozen and that he can’t get back into his townhouse, as Billy Ray is living there.  He winds up living with a prostitute named Ophelia.  (Ophelia is played by Jamie Lee Curtis.)  He has to pawn an expensive watch just to get some cash.

It takes a while for Billy Ray to get used to everything.  His new butler, Coleman, keeps reassuring him that everything is his and that it’s all real.  Not long after moving in, Billy Ray takes over Louis’s old job and proves good at it.  It looks like opportunity does play an important factor.

Eventually, Billy Ray overhears the Duke Brothers talking about their bet.  When he overhears that only a dollar was wagered, he decides that Louis has a right to know.  He eventually catches up with Louis at Ophelia’s place and has a close call.  He explains everything back at the townhouse and Coleman confirms.  At Billy Ray’s suggestion, Louis comes up with a plan to get revenge on the Duke Brothers.

This is one of those movies that doesn’t get old.  I keep seeing it on television, usually right as the revenge part begins.  (The revenge is maybe the last third of the movie.)  I finally got around to watching it through Netflix’s streaming service.

Most of the movie is relatively safe.  We do get a few scenes with some nudity, and yes, you do get to see stuff.  Also, there’s one scene towards the end where the F bomb is used, so parental discretion is advised.  As for the financial aspect, the end of the movie was a little confusing.  I’m not exactly sure what Billy Ray and Louis did.  However, it’s not really necessary to understand the plot of the movie.  It’s not the kind of thing that will be distracting or cause you to lose sight of the story.  It’s evident that Billy Ray and Louis knowingly ruin the Duke Brothers.  (From what I read on IMDb, Eddie Murphy was so confused by the financial aspect that he just stuck to the script for the final scenes.)

As for family versus opportunity, the movie wasn’t really to heavy-handed with it.  It was just something to get the plot going.  One thing that occurred to me when I first saw the movie was that when Louis and Billy Ray come together, they end up being unstoppable.  While both lineage and opportunity may be important, it looks like it’s both things together that make a person great.