Showing posts with label Corey Stoll. Show all posts
Showing posts with label Corey Stoll. Show all posts

Wednesday, February 06, 2019

First Man (2018)

There were 17 missions named Apollo.  In addition to these, there were 12 Gemini missions, all in low-Earth orbit, all as a way of testing what would be needed for the lunar missions.  There have been all sorts of movies made, like Apollo 13.  Other motion pictures, such as Hidden Figures, have brought the support staff to our attention.   This isn’t even getting into miniseries and books.

It occurred to me while watching First Man that it‘s impossible to capture all of it in one movie.  In fact, the movie left a lot of it out, focusing on Neil Armstrong.  It caught me off guard.  Then, I remembered what the name of the movie was.  A movie called First Man should focus on Neil Armstrong.

The movie starts in 1961 with Armstrong testing an X-15.  Upon attempting reentry, he bounces off the atmosphere, but is able to get everything under control and return safely to the ground.  Regardless, he finds himself grounded.  He’s distracted, and with good reason.  His 2-year-old daughter is being treated for a brain tumor.  No one can do anything and it’s weighing on him.

The movie moves forward to major events, starting with his applying for the Gemini project.  Throughout, there are major historical events, like the Soviets beating America to several milestones.  Several fellow astronauts die, which doesn’t sit well with his wife, Janet.  (It’s not easy to see her husband and father of their two children go into space, knowing how many unknowns there are.)

Being that this is based on historical events, I’m not going to worry about spoilers so much.  The movie doesn’t rely on any sort of shock value, nor does it play up any sense of tension.  Plus, Armstrong lived until 2012.  Saying that he makes it back to Earth isn’t ruining any part of the experience.

It’s somewhat difficult to get my head around the scope of it all.  The movie does convey that people didn’t make it home safely.  Apollo 1 didn’t launch due to an electrical fire, killing all three occupants of the craft.  Wives have to deal with the reality of their husbands not coming home.  Even when everything goes right, it’s not over until they walk through the door.

There is also a muted feel to the movie.  There are arguments, but it’s not uncomfortable.  There is excitement, but it’s not overdone.  There’s a very even pace and tone throughout.  I’m not sure that it’s necessarily a bad thing, but it’s not good, either.  It seemed like the movie was stripped down to just the facts.  I will say that there was a decent flow to the movie.  It seemed long, but it didn’t seem boring or jerky.

I’m not sure that any one project could do all the space missions justice.  Even to focus on one mission, like Apollo 11, would have to cover a lot of ground, including all the research that went into it and all of the people that were involved.  Even a miniseries would be hard pressed.

There is a value in watching it, though.  I could see people of high-school and college age watching it.  It would be interesting to see the opinion of those that lived though the 1960s and know more about it.  As I’ve indicated, I’m sure that there’s a lot that was left out.

Monday, October 06, 2014

Non-Stop (2014)

There’s not a whole lot you can do on an airplane.  With movies, any confined space is going to present problems.  It worked in Exam.  Several people are competing for one job.  When the turn on each other, not being able to leave the room adds to the suspense.  With Non-Stop, you have a similar problem.  Liam Neeson plays an air marshal named Bill Marks.  He’s not the best person.  He drinks.  He argues with people.  He even sneaks a smoke on the lavatory.  The good news is that he gets to travel a lot.  The bad news is that it’s the kind of work that can take a strain on you and your family.

It’s shaping up to be another routine flight when Marks gets a message over the secure network.  The person on the other end threatens to kill passengers at regular intervals unless money is transferred to a specific account.  He initially assumes it to be a joke by the flight’s other air marshal, Jack Hammond.  Hammond denies everything, even showing Marks his own pager.

It doesn’t seem like it would be that easy to pull off something like this.  There are several suspects, though.  Could it be the friendly woman that put forth some effort to sit next to Marks?  It would be too obvious if she took out a pager.  Could it be the angry guy that talks back?  Maybe it’s the token Arab/Muslim guy that everyone’s ready to point a finger at.

It doesn’t help that Marks has no proof.  At best, he looks paranoid.  Things get worse from there, especially when people actually start dying.  You’d think someone would notice a fellow passenger sending texts and turn them in.  The movie manages to go on for 1:46 with the bulk of it in the airplane.  You’d think Marks would be able to see the person given the right vantage point.  It’s never that simple.

That’s the big problem I had with the movie.  The movie is entertaining, but requires a certain suspension of disbelief.  You’d think two trained air marshals could figure out who one person is when the person they’re looking for is typing something on a wireless device.  It shouldn’t take that long to figure everything out.

It’s as if someone got the idea and tried to get it as close to two hours as they could.  It’s interesting to see how the next person will be killed, but that’s not really exciting enough to carry the film.  There is also part of the movie that would be a good candidate for Mythbusters, assuming there’s a way to test it at all.  Knowing that there’s a bomb on board, Marks proposes that they bury the bomb in luggage at a weak point in the plane to direct the blast.  I’m not sure that it would go down as expected.

This is one of those cases where I’m glad it was a free rental from Redbox.  The premise wasn’t enough to get me into the theater, but I did want to watch it.  The movie came off as a little too cliché to me.  If you can get it through Netflix, I’d say go for it.  Just don’t ask too much of the movie.