Showing posts with label Bryan Cranston. Show all posts
Showing posts with label Bryan Cranston. Show all posts

Saturday, June 01, 2019

Godzilla (2014)

I was all set to watch Godzilla: King of the Monsters until I realized that it was actually a sequel.  Or, at least, IMDb had listed movies that had preceded it.   So, I set out to find a way to stream it.  Netflix had removed it from their streaming service on May 1.  With Hulu and Amazon, I had to pay extra.  (Hulu required a special package and it didn’t appear to be available with Prime.)  I wanted to watch King of the Monsters the next day, so the library wasn‘t looking good.  Finally, I found an option through my cable provider.  I’m wondering if I should have just skipped it.

The movie, as you might expect, is about a giant lizard creature that terrorizes the human population.  We don’t get much of a back story, except to say that America’s nuclear tests were attempts to rid ourselves of the giant creature.  Oh, it comes from a time before humanity.  And since it’s an American production, it’s mostly American cities that are destroyed.  (If you live in Las Vegas or San Francisco, I have bad news for you.)

The action revolves around Godzilla fighting two other large creatures.  (Part of the suspense comes from the fact that one is pregnant.)  There are also several humans trying to stop them.  It’s clear that the mating pair is dangerous, but what of Godzilla?  Is he helpful or will he turn on us once the other two monsters are gone?

The Navy wants to nuke all three of them, but that means getting them far enough away from civilization.  Not an easy task, especially considering that these monsters feed on radiation.  Would the blast be enough to kill them?  If I understand correctly, it‘s like luring someone in with their favorite food hoping they‘ll choke on it.

The entire movie was a little confusing.  There was very little in the way of commentary.  Shin Godzilla at least had a nuclear meltdown as a backdrop.  This incarnation is more about people fighting unstoppable monsters, hoping that another unstoppable monster might save them.  Oh, and there’s a sequel.  It almost seems like it’s a vehicle for the effects.

The movie was successful enough that two sequels were green lit during this film’s opening weekend, which would mean that enough people go for that kind of action.  I also watched both of the first two movies within a 24-hour span, so there’s that.  Still, my decision to see Godzilla vs. Kong will probably be based on whether or not I still have AMC’s A-List.  (Similarly, I’d like to see Kong: Skull Island if I can get it from the library or through Netflix.)

I’d imagine that there are worse ways to spend two hours.  I’ve you’ve seen a lot of Godzilla movies, I’m sure this one will be at least a little repetitive.  I don’t know how many times you can see a city destroyed before it gets old.  For me, I always think about all the people that have to evacuate if the city is entirely destroyed.  Even when a monster steps on someone’s car, I imagine someone coming out and freaking because something important was in there.  (“My dry cleaning!  What am I going to wear to that big interview!”)  The movie’s not great, but at least it’s not radioactive.


Sunday, April 30, 2017

Clerks (2000–2001)

It took me a while to see the original Clerks, but I did watch it and I liked it very much.  While looking through DVD sets of TV series, I came across the animated series, which I missed when it first aired.  It’s no wonder considering that there were only six episodes.  Since it was under $10, I decided to buy it.

For those that never saw the movie, it was about two clerks.  (One works at a convenience store and the other at a video store next door.)  They have to deal with a stream of annoying customers.  The primary difference is the format.  The original was a live-action black-and-white movie.  Here, it’s animated, but in color.  The style is thick lines to differentiate the characters and solid colors within.

All of the main characters return.  You have Dante running the Quick Stop, Randal running the video store and Jay and Silent Bob popping in to bother them.  Most episodes start with Dante being called in to open the store, much like in the movie.

Each episode has something different.  In the first, Dante and Randal have to worry about a super store (The Quicker Stop) opening across the street.  They have to take it out to save their jobs.  The second seems to poke fun at clip episodes, considering that it only references itself and the previous episode.

Each episode also has an introduction by Jay and Silent Bob from their palatial estates that they bought with the proceeds from the Clerks movie.  You also get a “previous” and “next time” clip that’s really just a quick joke.  (In one instance, it’s just simple test patterns.)

Each episode is about 21 minutes.  The episodes seem a bit rushed at times, especially the fifth episode, which parodies The Last Starfighter, The Bad News Bears and a few other things.  It tries to put too much into one episode and jumps around a lot.

Also, the movie had a lot more leeway in terms of material and style.  Jay and Silent Bob go from dealing drugs to dealing fireworks.  Also, the characters aren’t allowed to curse.  (Jay and Silent Bob use one of the episode’s introductions to vent.)  They do try to push the envelope (or push buttons) on several occasions.  In one episode, they have lesbians, all voiced by men.  The movie was toned down in certain areas, but tried to make up for it in other areas.  It wasn’t really as funny.

I don’t usually go for the special features, especially considering that there was a DVD-ROM section to the discs.  (I don’t like installing stuff on my computer.)  The one thing I did check out briefly was the animatics, which are just sketches based on the episodes  It wasn’t that interesting since I had just watched the episode.

I also don’t recommend watching the episodes to the end of the credits.  When I did on the first episode, my DVD player froze.  I had to turn off the DVD player and turn it back on to get the DVD back out.  When I tried to watch all of the episodes on the second disc, the same thing happened at the end of the fourth episode.  I don’t know if this had to do with the DVD-ROM or if it was just some sort of fluke.

A lot of people seemed to like the TV series from what I can see, but I really didn’t like it so much.  I wouldn’t recommend buying it.  Renting it, maybe.  If you can catch the episodes on TV, you might want to try catching it.  You might not get the benefit of the introductions, but if you can catch one episode, you can see if it’s worth renting. 



Monday, September 29, 2014

Argo (2012)

Note:  This review was originally posted to my Epinions page.


The movie starts in November of 1979.  Protesters are outside the American embassy’s compound and those inside are worried.  The former Iranian shah is in America for medical reasons and the Iranians want him back.  Six of the embassy workers manage to escape, but everyone else is taken hostage.  Those six manage to find refuge at the home of the Canadian ambassador.  The U. S. State Department wants to get them out, but there’s no really plausible way to do that.  Tony Mendez, played by Ben Affleck, finds reasons that each proposal might fail.

One night, while watching one of the Planet of the Apes movies, he realizes that movies will occasionally need to film on location.  This gives him the idea of posing as a studio employee meeting some ‘Canadian’ counterparts in Iran.  After a few days of ‘scouting’ for a location, they’ll all catch a flight back to North America.  Not only does Mendez have to train six people to learn their cover stories, but they’re operating under a deadline.  (It won’t take long for the hostage takers to realize that they’re short six hostages.)

There are also a lot of technical details to worry about.  Mendez brings in some Hollywood people to help sell the cover story.  They buy an actual script to use, hire real actors and go through the process of pretending to make a movie.  The even set up an office for Iranian officials to call when the need arises.  There are also bureaucratic problems that they just have to hope will resolve themselves.

Part of the problem with movies based in history is that you may have some sense of how it ends.  Argo tells part of what went on with the Iranian Hostage Crisis, which took place when I was only a few years old.  I saw the movie with my brother, who was only a few months old at the time.  There were a few references that he missed, like to Rock Hudson.  I’m sure that I missed one or two, myself.  (I have no memory of Carter as president.)

Most of the movie focuses on the rescue attempt.  We get to see the hostages a little before they meet Mendez, but it’s mostly to show that they’re getting cabin fever.  They can’t leave the ambassador’s residence for fear of someone recognizing them.  Once they’re out ‘scouting’ for a location, they have to stay in character the whole time.  (On that note, I’m not sure how much of the film was done for dramatic effect.  There were a few tense scenes where the six ‘houseguests’ were out and almost caught.)

One thing I thought about was the screenwriter whose film was purchased to use for the project.  I felt a little bad that it was purchased with the intent of not really making it.  My brother pointed out that it did help to save lives, but the mission was classified.  Mendez, who came up with the idea, was awarded the Intelligence Star, but couldn’t actually take it home.  This is how classified it was.  I don’t imagine that the State Department was going to let some screenwriter in on their little secret.  I’m sure projects fall through all the time, but it must be so weird to find something like that out years later.

I do recommend seeing the movie.  I liked seeing it in theaters.  Unfortunately, I didn’t get around to posting it until after it came out on DVD.  Another thing I noticed is that the Canadian government did a lot to help us, even jyst by letting the six Americans stay there.  I’m not sure how much that affected their relationship with the Iranians.  Definitely rent this movie if you get the chance. 

Friday, September 26, 2014

Total Recall (2012)

I tend not to like remakes.  Rarely do they add anything except make it look modern.  In this case, we have two movies based on a short story.  (Both versions of Total Recall owe very basic elements to the story “We Can Remember it For You Wholesale” by Philip K. Dick.)  The short story is about a man who comes to realize that there‘s more to his life than what he thinks he remembers.  That’s where the similarity ends.

Here, we have a dystopian future where most of the planet is uninhabitable.  The two remaining areas are the United Federation of Britain and The Colony.  (The Colony is actually just Australia.  Why they couldn’t just call it Australia, I don’t know.)   A man named Doug Quaid is thinking about going to Rekall.  Quaid is a lowly factory worker.  He can’t afford to go on vacation, so Rekall will “remember it for him” as their ad goes.  A coworker warns him not to do it; Rekall has a reputation for lobotomizing people.  Another coworker tells Quaid not to worry about it.  He even recommends one of the technicians.

Well, the implantation goes bad when a SWAT team breaks into the Rekall lab.  Amazingly, Quaid is able to escape.  It turns out that he’s not really Doug Quaid and his lovely wife of several years is actually his handler.  His memories were erased and he was given a new life.  He manages to find out that he was part of a resistance.  People in The Colony are the lower class while the UFB is basically the upper-class people.  The UFB has some nefarious plan that Quaid’s former self didn’t want to see come to fruition.  Or did he?  Either way, it’s up to Quaid to stop it unless he’s not going to, assuming that was the plan all along.  Or was it?

I think this is one of those cases where if you saw and liked the 1990 version, you’re probably not going to be thrilled with this one.  The 1990 version was much better.  We had the issue of identity, which is brought up briefly here.  There’s the issue of what’s real and what’s an illusion, which is mentioned only in passing.  (It comes across mostly as a reference to the 1990 version, but more on that later.)

I remember hearing about the remake and wanting to see it.  I knew I probably wasn’t going to like it as much, but I had to see if they could improve upon it.  Not only did they not improve upon it, I think they even took something away.  Instead of being based on the same source material, this is more of a flashy action remake.  We have the same corrupt leader.  We have the same wife that’s not a wife.  There’s even a three-breasted woman and a comment on the desire for a third hand.  What we don’t have is anything to make you think about the movie.

As I mentioned, there were a few scenes that were referencing the original movie.  Quaid uses the same technology to get to The Colony, which I think was only called The Colony because there was a Martian colony in the original movie.  (Look closely when Quaid arrives in the UFB.  Pay attention to the woman going through security.)  In another scene, Quaid’s coworker is trying to talk Quaid into shooting his fellow resistance member, saying that this is all a dream back at Rekall.  If you’re thinking of seeing Total Recall, I’d recommend skipping this one and just watching the Arnold Schwarzenegger version.