Showing posts with label Tobias Segal. Show all posts
Showing posts with label Tobias Segal. Show all posts

Sunday, June 30, 2019

John Wick: Chapter 3 - Parabellum (2019)

I suppose that there are two ways of looking at the John Wick films.  One is to see them as movies with lots of fighting.  Each one serves as a vehicle for some pretty awesome action.  The other is to think of it as a group of action sequences so spread out that it requires way more than two hours to tell the story.  After all, Mr. Wick is going up against almost everyone.  That’s a lot of people to take out with just once pencil.

Now that I’ve seen all three movies, I’m leaning towards the second explanation.  If you were to remove or greatly reduce the fighting, you’d probably be down to a pretty short story.  Mind you, it’s a decent story, but that’s not why you came to see John Wick: Chapter 3.  After all, para bellum translates as Prepare for War.  That’s just what the title character has gotten himself into.  (As a single word, Parabellum likely refers to a model of gun.)

The movie picks up right after Chapter 2 ends, with Wick having most of his hour lead left.  He heads to the New York Public Library to find a book.  Specifically, it’s hollowed-out book that contains some a cross, some coins and a picture of his deceased wife.  He puts the picture back and takes the other items.  Using them won’t be so easy; he has to fight his way out of the library, using the book as a weapon.

After what Wick did in the second movie, everyone is after him.  There’s a bounty on his head in excess of $10,000,000.  It’s in his best interests to get the heck out of Dodge.  That’s what the cross is for, though.  It’s his ticket to Morocco, where he meets up with someone who owes him.

Meanwhile, The Adjudicator shows up in New York City.  The organization that Wick used to work for has rules and Wick broke the big one.  Wick was declared excommunicado, which was the appropriate punishment.  The Adjudicator is there to determine who else is guilty and what their punishment is to be.  Needless to say, it leads to a few good fight scenes.

If you’ve already seen Parabellum, I would imagine that you weren’t disappointed.  It does seem like a natural extension of the first two movies.  You get some new cities, which provide new visuals.  It also provides Wick with another city to depopulate.  (I can see some guy standing on the edge of town, next to the sign that reads, “Casablanca:  Population 3,359,818”.  After Wick takes out a few people, he has to change it to 3,359,816.  Before he can update the sign, Wick kills three more people.  The guy sighs in disbelief and silently curses to himself.)

You might wonder how many new ways there are for Wick to fight.  He does use horses to kick people.  His contact in Casablanca has two trained dogs, each of which helps attack the bad guys.  Neither the horses nor the dogs seem forced, which is good.  (There did seem to be a touch of CGI with the horses, though.  That might just be my imagination, but I don‘t think the actors would want to risk actually being kicked by horse.  That would have to hurt.)

For those that haven’t seen the first two movies, I’d recommend doing that first.  While you could probably follow the action, this really is one big story.  Things will make more sense if you view the movies in order.  It is worth it, though, if you like action movies.


Thursday, June 20, 2019

John Wick: Chapter 2 (2017)

I have this line I say to myself whenever a character dies in a movie:  No sequel for you!  I found myself saying that a lot while watching the first John Wick.  I found myself saying it just as much with Chapter 2.  Almost an entire mob outfit dies at his hands, all because Iosef Tarasov saw a car he liked and had to have it.  It wasn’t even about the car, though.  Iosef made the mistake of killing John’s puppy.  Chapter 2 begins with John killing the remnants of the organization, starting with Iosef’s uncle, who had been selling the stolen cars.  Yes, John is out to get his car back, which he promptly totals.

The movie’s real story starts with Santino D’Antonio, who visits John to call in a marker.  He wants his sister, Gianna, killed.  Being that she holds a seat on the underworld’s high council, Santino can’t do it himself.  John initially refuses, but eventually accepts.  Lots of people get in John’s way and die as a result.  Once John completes his mission, a lot more people die.

In fact, Santino calls in a hit on John.  (As he points out, what kind of brother would he be if he didn’t?)  So, yeah.  The rest of the movie is John evading and/or killing bad guys while searching for Santino so that Santino might be denied a major part in Chapter 3.

Sure, the plot is little more than a vehicle for the fight scenes.  And yes, the plot is at least coherent.  Still, you’re not thinking about watching this because of the plot.  You came for the fight scenes, which are as impressive as the first movie.  In this regard, there’s a part of me that wonders why one needs a coherent plot line for action like this.  You could easily have three (or, shortly, four) separate movies with different characters.

That’s how stylized the fight scenes are.  John Wick has earned the right to be called franchise.  I’ll be going into Chapter 3 with a pretty good idea of what I’m getting.  And yes, there is a story going on.  It’s nothing deep, nor is it high art, but there is something to follow between fight scenes.

So, I will be seeing Chapter 3 and, probably, Chapter 4 when it comes out.  The funny thing is that I’ve never particularly been a fan of fight movies.  This is most likely the result of having access to movies at the library and paying for the movie theater by the month.  You come to realize that an action movie can be exciting.