Showing posts with label Rutger Hauer. Show all posts
Showing posts with label Rutger Hauer. Show all posts

Friday, May 19, 2017

Blade Runner (1982)

The first time I saw Blade Runner was many years ago and it had narration.  The narration was from the theatrical cut and has been removed from all subsequent cuts.  I remember liking the narration and that others didn’t.  Not liking the narration seems to have the overwhelming majority when it comes to opinion, which is what makes the theatrical version somewhat difficult to come by.

Either way, the basic story is the same.  Rick Deckard is brought out of retirement to hunt down four individuals.  Why are any the four individuals so important?  They’re replicants, or artificial people made for off-world labor.  They’re not allowed back on Earth.  Deckard is what’s called a blade runner.  He hunts down and ‘retires’ replicants.  The four replicants are the top of the line, so they need the best blade runner out there.

The movie has gained cult status in the years following its release.  It’s known for being very dark and with good reason.  Aside from the violence, which I’ll get to, I don’t think there were many scenes with daylight.  Everything seems to be at night, which makes the illuminated billboards (and product placement) stand out a little more.  As if that weren’t enough, it seems that it’s almost always raining in the Los Angeles of the future.

As for the violence, replicants aren’t very well liked.  They’re given a four-year life span so as not to develop pesky emotions or personalities.  Deckard is allowed to kill with extreme prejudice, which he does in two cases.  A third is killed by Rachael, who is most likely a replicant, herself.

This is where it the lines get blurry.  It seems that normally, replicants are given the skills they need to do their jobs.  With such a short amount of life, one would assume that there’s no time to waste with training.  It’s possible, as with Rachael, to implant a real person’s actual memories.  Does that make Rachael any less of a person than the person she’s based on?

When I first watched Blade Runner, I saw it mostly as an action movie.  You have a police officer hunting down four criminals with the express purpose of killing them.  It wasn’t until I got older that I began to see some of the finer details.  You don’t actually call killing a replicant what it is.  Instead, you say you’re retiring them, as they’re nothing more than a product of the Tyrell Corporation.  Their entire existence is to go into situations too hazardous for humans.  They’re disposable.

If that’s true, what do you call a replicant that thinks she’s a real person?  Is she any less disposable because she seems real?  Is she any more deserving of life because she’s pretty?  Then, there’s Deckard himself.  It’s implied that he may be a replicant, too.

One thing that confused me, though, is that the movie seems to go back and forth between calling them robots and people.  At least one of the makers are referred to as a genetic engineer.  They seem to be made from organically grown parts.  I’m not sure if the brains are organic, though.  It is entirely possible that the brains are mechanical.  It‘s ambiguous, as they’re not really clones and not exactly robots.

The version I got was The Final Cut, which was the last version released.  There is an Ultimate Edition, which contains several version.  I’m not sure how many of the seven different cuts are available, but it seems that if I want the narration, this will have to be the version I have to buy.  I would like to see the theatrical cut to see how well it holds up.  I’m not sure I’d get it any time soon, as it can be a bit tedious for me to watch the same movie twice in such a short time span.  I may wait to see if it becomes available streaming or at the library.


Thursday, August 07, 2014

Crossworlds (1996)

Note:  This review was originally posted to my Epinions account.


Some movies are good to the point of being memorable.  Some are bad to the point of being forgettable.  Then, there are the mediocre ones.  The ones that aren’t memorable and they aren’t completely forgettable.  They have the potential, but lack the script and production values to be worth recommending to someone.  Crossworlds is just such a movie.

Joseph “Joseph” Talbot is your ordinary guy.  His friends call him Joe, but he prefers Joseph.  He has two drunken party-animal neighbors.  (One is played by Jack Black, if that tells you anything.)  They invite him over for a hump-day party, which Joseph would really rather not do.  So, he goes anyway and gets prodded into talking to a woman that flat out rejects him.  There is another attractive woman named Laura that seems interested enough to actually talk to Joseph.  She just disappears on him, much to his disappointment.

That’s ok, though.  She appears in his bedroom that night…with a knife.  It’s not what you’re thinking, though.  She’s after a pendant with a mystical gem.  He wakes up and is so distracted by the fact that she’s in his room that he doesn’t seem to care about the knife.  It’s just as well; his house gets shot up, so they have to get away in his car.  They go to meet A.T., who is reluctant to help them until he finds out that it’s Joseph that Laura brought with her.

Laura and A.T. are part of a resistance.  Laura claims she was sent to retrieve the pendant and a staff.  The pendant is the one Joseph has, which was his father’s.  The staff is in a museum.  Amazingly, they know which museum, so they’re off to get it.  The problem is that Ferris is there waiting for them.  (I may accidentally call this guy Rusty.  If I do, bear with me.)  Ferris is a really evil guy.  He’s taken over many dimensions and now it’s our turn.  He needs the staff and the pendant to lead an army through.  (Apparently, all of the other dimensions were conquered without the aid of these artifacts.)

As you might imagine, Joseph is able to save the day with some quick thinking from A.T. and Laura.  Yes, Ferris has several evil minions working for him, but can’t seem to find someone capable of beating some kid who barely even knows what’s going on.  Why can’t an evil overlord find good help?  For that matter, why couldn’t he do it himself? He’s a very powerful guy and has most of the answers, except when it doesn’t serve the plot.

A.T. does know what’s going on, but is very blunt about not explaining anything.  (He won’t even say how many dimensions there are.)  Joseph has a right to know something about why he’s being shot at and chased.  It’s never explained how interdimensional travel works or why people pop in and out of the exact place they need to be.  I’ve always found it odd that when traveling between planes of existence, they always manage to land on solid ground.  They’re never left hanging in a tree or floating above the ground.  For that matter, how is it that we have two planets that are the same size?  The other planet is always around the same size as Earth (or at least similar gravity) and has a similar atmosphere.

This is definitely on the low end of the made-for-TV-movie spectrum.  I could forgive the production values if there was a little more story to the story.  You don’t have to explain everything, but at least take a few minutes to explain something.  You don’t get anything more deep than, “believe in the floor.”

It’s not so bad that I’d recommend it for the laugh value, but it’s bad enough that I’d feel bad if you had to spend money on it or waste a trip to the store. Yes, this is another one of Netflix’s streaming gems.  It’s just good enough that it’s not a waste, but just bad enough that you should get a few laughs out of it.  If you’re tired of watching the big-budget movies, this one might be worth a try.