Showing posts with label Richard Dreyfuss. Show all posts
Showing posts with label Richard Dreyfuss. Show all posts

Sunday, August 04, 2019

Astronaut (2019)

Going into space is not a cheap or easy endeavor.  It costs a lot of money just to get someone out of Earth’s gravity well.  Add to that the fact that it takes three days to get to the moon and another three days back.  (I realized once that the Apollo astronauts easily had the worst commute ever.)  Space travel has, so far, been the domain of governments.  We’re at a point now where a select few are rich enough to consider putting people into space.

In Astronaut, a billionaire by the name of Marcus has designed and nearly built a ship that could take people into space.  He’s even holding a contest to allow one lucky winner to come along.  Angus wants to be that one.  The only thing holding him back is that he’s in his late 70s and not in very good health.  That doesn’t stop him from trying.  His daughter and son-in-law have even put him in an assisted-living facility.  Angus enters the contest anyway, saying that he’s 65.  (Grandson Barney knows someone who can get him a fake ID.) 

If this were real life, Jim and Molly would have nothing to worry about.  Angus would have the nursing home and Barney to cheer him on, but the sheer number of entries would prevent Angus from actually becoming one of the 12 candidates for that seat.  This isn’t real life, though.  Angus is given the opportunity to present his case to become an astronaut.

The opportunity isn’t without setbacks, though.  He does have a medical issue while being interviewed.  He also notices an issue with the runway.  It just so happens that he’s an expert, but no one will listen.  After all, he’s just some crazy old guy who wants to go into space.  (So, here’s someone that wants to get onto a ship that may be too heavy for the ground it’s supposed to take off from.)

It’s not a very complicated movie.  The script is at the TV-movie level, and I wouldn’t even say cable TV.  This would be somewhere just above network television.  Angus isn’t overloaded with problems, but he has enough that you know he’s not going into space.  (He has two or three medical episodes during the course of the movie.)  He’s also saddled with debt from when his recently deceased wife bought a donkey farm, complete with donkeys.

So, there are really only two things going on.  Angus wants to go to space, which has one set of issues, and Angus wants to save the mission, which has a few issues of its own.  There aren’t many distractions, other than Jim being suspended from work for doing something stupid.

I wouldn’t say that the movie is depressing, but I could see where someone could make the argument.  No one likes being told that they’re too old.  Being sent to the Sundown Valley Manor probably doesn’t help matters.  The name is just depressing enough that you feel for anyone living there.  I suppose this is all the more reason for him to go.  He’s at a point where the alternative isn’t too appealing.

I can’t quite bring myself to recommend seeing the movie in theaters.  It’s good, but not good enough that I would spend $35 to take a few people with me.  For those wondering, I have AMC A-List.  I would have probably skipped this movie if not for that fact.


Sunday, May 21, 2017

Close Encounters of the Third Kind (1977)

Alien movies tend to go in two directions.  You have movies where aliens invade Earth, either forcefully or subtly.  Then, there are movies like Alien Nation, with the aliens generally being peaceful.  (Don’t even get me started on Santa Claus Conquers the Martians.)  A few, like Contact, deal strictly with first contact.  We don’t get to see much of the aliens, if anything at all.

Close Encounters of the Third Kind is closest to Contact.   What we see of the aliens is mostly their ships.  One of them seems to take notice of Roy Neary’s truck before moving on.  After that encounter, Roy becomes increasingly obsessed with something.  He doesn’t know exactly what, but the vision is getting clearer.  It gets to the point where his wife takes the kids to her sister’s house.

Roy eventually gets a clear picture of what he learns is Devils Tower in Wyoming.  Along the way, he catches up with Jillian Guiler, who is also headed to Devils Tower.  Her son was abducted by the aliens and, in the process, she apparently got the same message as Roy.

It’s not going to be easy for them.  The government has also received coordinates for Devil’s Tower and subsequently quarantined the surrounding area.  Roy, Jillian and a few others do manage to make it most of the way, but are stopped by the government.  Claude Lacombe, who’s running the show for the government, realizes that they were invited by the aliens, but that doesn’t make things easier for those who were invited.

The thing that I’ve always wondered, and I know I’m not the first to do so, is why we tend towards the extremes.  If we’re to assume that aliens invade, we would have to ask why.  What does this planet have that’s so valuable that it would be worth going through all the effort of wiping us out.  You‘d think they‘d be able to get it by some other means.  On the other hand, would a peaceful race even want anything to do with us?  I’ve often thought that any civilization capable of crossing vast interstellar distances would probably have a look at us and be scared.  Look at what we do to our own species.  Do you think we’d treat them any better?

What would first contact actually look like?  I mean, what would actually happen if aliens came down and asked to meet our leaders?  Would it be a simple message like The Day the Earth Stood Still?  Would it be obvious like all of the invasion movies or would it be more subtle like They Live?

The close encounters for Roy and Jillian are a bit bumpy.  When the aliens visit Jillian’s house, all of her electronics seem to turn on.  Radios start blaring.  Toys start moving around.  Roy’s experience is similar.  Nearby signs and mailboxes start rattling.  Is it the aliens intent to scare them?  It could just be a byproduct of their technology.

There is an assumption that aliens would look like us.  It’s easier to have a human actor play the alien, hence the proliferation of humanoid aliens on TV and in movies.  However, there’s no reason to think that we’d have a common form or language for that matter.  The use of music in Close Encounters of the Third Kind makes sense, at least, as would the use of hand gestures.  It stands to reason that if they’ve studied us, they would be able to find some way to at least attempt communication.

Close Encounters of the Third Kind is relatively well known.  I remember watching Jeopardy! once.  The final clue referenced the five-note tune repeated throughout the movie.  I remember not only getting it instantly, but wondering why my parents didn’t.  It was one of those clues that if you had seen the movie, the response was obvious.  There are definitely worse ways to spend a few hours of your life.