The Little Prince (2015)

I used to work at Wolf Camera years ago.  One thing I remember was the mantra “Give yourself a raise.”  It meant that you could always be selling more of the things that got you sales incentives or commissions.  You could always sell more extended warranties or loyalty cards.  You could always sell more accessories.  Basically, it felt like I would always have the carrot of better numbers in front of me.  There had to be a point where it stopped.  (If I sold everything in the store with the maximum warranty, would they have me special order stuff?)

Such is the world of The Mother and The Daughter.  The Mother is anxious to see her daughter get into a good school.  They even have an answer for their expected Big Question.  However, when she’s asked a different question, The Daughter gives her rehearsed answer anyway, oblivious to the fact that it doesn’t make sense.  This necessitates a move to the same neighborhood as the school.  The cheapest house happens to be next door to The Aviator, a man that the neighbors (and police) seem to avoid whenever possible.

The Daughter and The Aviator become fast friends, as The Daughter tries to avoid her rigorous schedule.  You see, The Daughter has a lot of studying to do if she wants to do well and eventually get a good job.  The Aviator is an adult, but hasn’t grown up yet.  He sees in The Daughter someone he can tell his story to.  That story is the story of The Little Prince.

Never having read the book, I’m not sure how well the movie stays faithful to its source material.  In the movie, The Aviator tells of meeting The Little Prince, who claimed to be from an asteroid.  The Little Prince tells of his life and some of the people he’s met, like a businessman.  While on Earth, he meets a fox and a snake.  He has a good time, but eventually has to go home, which saddens the Aviator.  However, The Little Prince tells The Aviator to simply look up at the stars to remind him of their time together.

In the present timeframe, The Aviator tells The Daughter that he’s happy that they met, as he now has someone to pass along the story.  The Daughter infers that he may be leaving or even dying, which The Aviator denies.  She even gets upset with him for having such a sad ending.  When The Aviator is taken away in an ambulance, The Daughter takes it upon herself to find The Little Prince so that The Prince might help The Aviator.

The tale of The Mother, the Daughter and  the older Aviator seems to have been made for the movie.  From what I can tell, the book was meant as a children’s book for adults, warning of forgetting how to be a child.  The Mother and the other adults seem to have forgotten this, but The Aviator hasn’t.  He sees in The Daughter the opportunity to let her be a little girl for a few minutes.  The Mother means well, but she doesn’t seem to see that her daughter might want an hour or two to play.  (Isn’t hard work what being an adult is all about, though?)

It’s appropriate that the film uses CGI and stop motion.  Animation is typically seen as being for children.  Many adults seem to have forgotten how to enjoy an animated movie.  For years, I’ve been trying to get my parents to watch movies like Up and Zootopia to no effect.  I don’t know that they’ll ever take the recommendations seriously.

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I have a soul…I just don't have it with me (Cold Souls review)

Note:  This is a review that's reposted from Epinions.



Very few works of fiction try to tackle what a soul is.  What is it about or minds and consciousness that makes us self-aware?  What does a soul do, exactly?  What would happen if we could have our soul extracted and put into storage?

In Cold Souls, Paul Giamatti plays Paul Giamatti.  (A brilliant stroke of casting, I think.)  Giamatti (the character) is preparing for his role in Chekov’s Uncle Vanya, but just can’t seem to get it right.  Someone tells him about a service that will remove his soul and put it into storage.  When he reads about it in the New Yorker, he seriously considers it.

This may all sound sinister, but in this movie, it’s really not.  When Giamatti goes in to speak to a doctor, he’s told that it will remove the burden of his emotions, allowing him to go through life much more easily and clearly.  After a little convincing, Giamatti has the procedure done.

At first, it’s not so bad.  There’s no guilt or fear, but his work and social life do suffer.  When he and his wife are out with some of her friends, one of the friends is talking about caring for a terminally ill patient.  Giamatti casually suggests that she just pull the plug.  When talking about it in the car later, Giamatti has absolutely no idea what he did wrong.  As for the play, he starts overcompensating.  He’s going in a totally wrong direction.  Giamatti soon realizes that he needs his soul back.

Back at the facility, the doctor convinces Giamatti to take the soul of a Russian poet instead.  He gets through the play fine, but realizes that the only soul that will do is his own.  He goes back and insists on getting his own soul back, but it’s too late.  His soul has been stolen by Nina, a woman working for a Russian dealing in black-market souls.  His wife wanted the soul of an American actor and Giamatti’s was the only one available.  After finding out what Nina did, Giamatti sets off with her to get his soul back.

You’ll notice that Russians factor into the movie quite a bit.  Not having actually read Chekov or any other Russian literature, it’s hard to tell how much this influences the movie, but the movie can be somewhat heavy at times.  Giamatti is conflicted about having his soul removed.  A soul is a pretty big thing to have taken out.  Yes, he can have it reversed, but is it really necessary?  He’s a very tormented character.

There are also a lot of aspects of the movie that are depressing.  For instance, Nina is little more than a mule.  Transporting as many souls as she has, she’s left with residue that means that she may not be able to get her own soul back.  There is also a scene with Giamatti waiting in a Russian hotel.  It seems he has little to do beyond walking around the hotel property waiting for Nina to get back.

There are some humorous points.  For instance, each soul looks different.  Giamatti’s looks like a chickpea.  Another looks like a jellybean.  It’s not known why each looks different, but it does bother Giamatti that his is so small.  (Apparently, size doesn’t matter.)

Also, being able to harvest souls does create a black market, complete with the aforementioned mules.  The group of Russians dealing in black-market souls collects them from people that apparently need the money.  They sign away all rights to getting it back, as shown in a scene where a woman wants hers back.

The movie doesn’t deal directly with what a soul is.  The doctor repeatedly admits that modern science knows very little about the soul other than how to remove it, store it and put it in someone else.  I suppose this is a good thing.  There are so many views on what a soul is that to try to pin down a philosophy for the movie would have been unnecessary and probably would have alienated some viewers.  The movie simply explores what it would be like to have your soul removed without being too technical about it.

It gets a bit confusing at times.  Giamatti apparently has visions associated with the former owner of the soul.  It wasn’t until I started reading reviews about the movie that I realized what this was.  I think part of the problem is that even at 1:41, it drags on at parts.

The acting great as was the basic premise.  My only real complaint was that it dragged on a little too much.  About halfway through the movie, I felt like I was still waiting for the movie to get interesting.  At that point, I figured that I might as well finish it.  At the very least, I’d be able to know how the movie ended and write a complete review.

When I heard about the film on NPR a few years ago, the movie sounded interesting.  Having seen it, it’s hard for me to recommend the movie to someone mostly because I had trouble finishing it.  Had it not been for my desire to review it, I probably would have shut it off halfway through.  Overall, I’d give it three stars.  Catch it if it comes on TV, but I wouldn’t recommend renting it.