Showing posts with label Michael Peña. Show all posts
Showing posts with label Michael Peña. Show all posts

Thursday, January 03, 2019

The Mule (2018)

Earl Stone is not a nice person.  He’s the kind of father that would skip out on his daughter’s wedding to talk with strangers.  It’s not that he couldn’t make it.  It’s that he didn’t even bother.  He seems to like his flower business and the attention that it brings more than family.

Years later, both his marriage and his business have dried up.  His house is in foreclosure and other businesses moved to the Internet.  Again, it’s not that Earl couldn’t keep up.  He just didn’t seem to think the Web was going to pan out.  Enter someone who knows someone who needs drivers with clean records.  Being that Earl is an old, white male, he’s perfect for the job.

As you might infer from the title of the movie, Earl is given a package to hide in the back of his old pickup truck.  The friendly guys at the garage want to make a compartment, but Earl won’t hear of it.  He has them just throw it in with the rest of the stuff back there, assuming no one will think twice about it.  (He’s right.)  Earl is told to park his car at an arranged address and leave it there for an hour with the keys in the glove box.  He returns an hour later to find $10,000 in cash, which he uses to get his house out of foreclosure.

If you’re familiar with drug use in movies, you may have heard the claim, “I can quit any time I want.”  Earl can quit any time he wants.  Except that he doesn‘t.  He could certainly use a new truck.  Then, his VFW post needs renovations after a fire.  So, Earl moves more product, which earns him more cash, which gets attention from the cartel’s management.

Earl seems like he knows what’s going on.  To an extent, he’d have to.  Except that he doesn’t.  When picking up a delivery, one of the guys at the garage gives him an address that happens to be where the drugs are going after he parks the car.  Earl decides to go there directly on a whim.  He is either really bold or really stupid.

He seems to be the only one that doesn’t seem to care how things will end for him.  He’s getting the money he needs.  He’s also getting the attention he wants.  He’s even invited to a party with beautiful women who seem very friendly.  (This is the one scene where your kids might actually cover their own eyes.)

I’m not sure what to make of the movie.  On one level, it’s very cliché.  You have someone that’s prone to making bad choices.  He’s more than eager to sign up for more, though.  It’s not until the end of the movie that he really reforms, but it’s too late by then.

There’s also the drug cartel that does things exactly like you’d expect.  They move large amounts of drugs and have lots of money to throw around.  They’re even persued by an agent that wants to make a name for himself.  It’s just a matter of time before everything comes tumbling down.

There’s also a sense that the movie was supposed to be more than that, but I’m not sure exactly what.  Was it supposed to be funny?  There are a few scenes that would play on stereotypes, but it’s hard to read them.  I could see them meant as a joke or as some sort of message.  When Earl’s handlers are stopped by police, Earl is able to get rid of them by claiming that the two other men are his employees.  It shows how Earl can take advantage of white privilege quite easily.

It’s based on a true story, but not all true stories make for good narratives.  It’s hard to say that the movie has potential.  It could have been done better, but I’m not really sure how.  That’s how low-key it is.  The movie went for such a deep level of subtle that the plot went into a coma.  I wonder if anyone other than Eastwood would have gotten the movie made.



Monday, August 13, 2018

Extinction (2018)

I remember learning that Netflix doesn’t necessarily produce its original movies.  The company may buy the rights at some point during or after production.  This is good for movies that might not otherwise make it to a screen.  This can be bad for viewers who don’t always get the best movies out there.  It ends up padding Netflix’s offerings with mediocre movies.  Take Extinction.  The movie was going to be released in theaters.  When distribution fell through, Netflix stepped in.

The movie takes place at some point in Earth’s future.  No date is shown, but technology has advanced considerably.  Peter and Alice are two normal parents.  Peter works at a factory and Alice has some sort of public-works job.  Their kids seem like normal children.  They even live in a nice apartment building.

Peter and Alice have just finished hosting a party.  Suddenly, attacks come from above.  No mention is made of a foreign nation and the ships are unfamiliar, so it must be aliens.    One guest from the party remains, so the adults find their kids and try to think of a way to safety.  The factory where Peter works is a safe place, but it’s ten blocks away.  Alice knows enough about the sewer system to get them there.  Along the way, they have to fight off the aliens.

Yes, we do get the big reveal.  We find out who the invaders are and what they want.  I found it wasn’t really enough to support a feature-length film.  It’s the kind of thing that would be better suited for a Twilight Zone episode.  Unfortunately, we don’t really get enough suspense (or anything else, for that matter) to support the movie.

I felt like it was a very minimal effort.  Peter and Alice had just enough of a history to make it so that the story could move along.  We don’t even know exactly what they do.  We just know that Peter does something technical in a place that could provide shelter and that whatever Alice does means that she can get them there.  Even having children seemed to be a way of giving them something to protect.

A lot of things seemed cliché about the movie.  The main group has to make it down the side of a building on one of those window-washing perches.  Seriously, though:  Has that ever worked?  I don’t think I’ve ever seen a movie where no one was in danger of falling off.

At the risk of sounding cliché, myself, the movie looks like it could set up a series or at least a sequel.  It’s like a pilot episode that had additional material put it to bring it up to 95 minutes.  I think maybe a sequel was planned, but I’m not counting on it ever being produced.  I think maybe Universal had the right idea in not distributing it.


IMDb page

Thursday, February 01, 2018

12 Strong (2018)

sHaving MoviePass means that I’m getting movies by the month, which makes for some strange decisions.  12 Strong is not a movie I would normally have seen in the theater.  The Commuter is not a movie I would normally have seen in the theater, either, but I had already seen that.  Still, I managed to make it all the way through both movies.  I think that’s more of an accomplishment with 12 Strong.

For those that haven’t seen the coming attractions, 12 Strong is about a group of soldiers, Green Berets and CIA operatives that were sent into Afghanistan shortly after the September 11 attacks.  The goal was to take a city called Mazar-I-Sharif.  Apparently, it’s important to the Taliban.  Captain Mitch Nelson is given command of the titular 12 that are sent in to meet with General Dostum.

Dostum leads a local army that will be helping Nelson and his men.  Before the group takes Mazar-I-Sharif, they have to go through and bomb several other areas.  The first area takes a few tries to get right, but they do level it.  Subsequent areas seem to go more smoothly.  They do eventually make it to Mazar-I-Sharif and take the city, as planned.  All 12 of the men get to go home safely.

The movie wasn’t quite as exciting as I would have expected with a war movie.  Part of this may be because the movie seemed to be going through the motions rather than writing an interesting story.  I understand that there’s only so much you can do with a true story before it becomes fiction, but the movie seemed somewhat bland.

Take the fact that they had to go through several cities before capturing the big city.  I didn’t really understand why they couldn’t go to the important city first, then maybe work their way back if they the other areas.  I’m sure there’s a reason for this, but I don’t recall it being covered in the movie.  Nelson and Dotsum lead their respective troops from area to area, blowing stuff up as needed.

The movie even starts with two of the soldiers telling their wives that they‘re leaving.  Captain Nelson even promises his wife that he’ll come home alive.  Bad idea?  Yes.  Cliché?  Most definitely.  Does it make the story more poignant?  Not really.

I think the biggest negative for me was that there wasn’t much of a sense of accomplishment.  It’s not really stated why any of the targets had any value, other than that’s where the enemy was.  There was mention of another team being sent in to take a different path, but any sense of competition wasn’t brought up that often.

When I came out of the movie, I felt like I was missing any sense of new perspective.  It seemed like this was the version of the story you’d tell to someone who had been there.  I get that the mission was accomplished in abut three weeks when it was supposed to take about two years, but it just didn’t seem that difficult.  The movie didn’t seem to convey any sense of scale or tension.  It just told the story.  If you want to see it, I’d wait for it to come out on Netflix.