Showing posts with label Armie Hammer. Show all posts
Showing posts with label Armie Hammer. Show all posts

Monday, February 11, 2019

On the Basis of Sex (2018)

You wouldn’t think of a Supreme Court Justice as being popular.  Sure, they may get some news coverage during the confirmation hearings, but that’s generally it.  Ruth Bader Ginsburg seems to have gotten a lot of attention in the movies lately.  There was a documentary about her last year.  She got a mention in Deadpool 2.  She even had a cameo of sorts in The Lego Movie 2.

Before she was on the Supreme Court, she was a lawyer.  Before she was a lawyer, she was a law student in a class of almost all men.  She had to face the challenges one might expect.  The dean of Harvard Law, Erwin Griswold, thought she was wasting a space that could have gone to a man.  Once she graduated, she was offered all manner of excuses as to why she shouldn’t be hired.  So, she’s relegated to teaching about law rather than practicing it.

At least she has a supportive husband.  No, seriously.  Marty Ginsburg brings her a case wherein Charles Moritz was denied a $296 deduction related to caring for his elderly mother.  The reason?  He’s a man who has never been married.  Had he been a woman or a widower, he would have gotten the deduction, no problem.

Some might say that it’s not worth fighting.  Even Moritz needs a little convincing.  ($296 in the early 1970s would probably translate to about $1800-$2000 in today’s money.)  To Ruth Bader Ginsburg, it’s about the principle.  Moritz was denied a deduction on the basis of sex.  That’s not right.  Winning this case would set a precedent for other, similar cases.  No pressure.  Right?

Well, the other thing she has going for her is actual skill.  She doesn’t have the experience, but her husband is willing to help her.  She also has another lawyer helping her, which makes for a strong team.  We get the fumbles and setbacks and everything.  In the end, the good guys win and Mr. Moritz gets his deduction.

The movie does a good job of showcasing Ruth Bader Ginsburg.  I think this has to do with balancing her with the supporting characters.  If you focus too much on the main character, it can become too intense.  If you try to work in too many additional characters, it can become a circus.  Instead, the movie focuses on the story and how Ginsburg had to work that much harder because she was a woman.  (She not only did her own coursework at Harvard, but helped with Marty’s when he was sick.)

I’ve often wondered if the sexism was really that bad.  In this case, I’m inclined to think so.  I know that lines are put in for the sake of storytelling, but there was a time when women weren’t welcome in law.  When Griswald has a dinner for women, he almost seems aware of the sexism.  He asks the women why they would want to take a man’s place.  It should come as no surprise that she eventually transferred to Columbia.

It’s hard to believe that something like this went on except that it still does.  (How can you graduate first in your class and still not be able to find a job in your field?)  I’d say that maybe husbands and boyfriends would be dragged to see the movie except that it does have a popular and powerful main character.

It also does a good job of illustrating the disparity.  When you’re the beneficiary of discrimination, it’s easy to justify it and put it out of mind.  It’s easy to say, “Oh, yeah.  The wives would be jealous,” when you’re saying it to someone who has no recourse.  There is a scene with a cat call, but the movie does do more than that.  I don’t think this is a movie you should feel like you were dragged to.



Monday, July 16, 2018

Sorry to Bother You (2018)

When deciding whether or not to include spoilers in a movie review,  I take into account whether or not it would serve any purpose.  After thinking about it, I don’t know that giving specific details about the movie’s ending would benefit anyone.  Aside from which, I’m not sure there’s any way I could properly explain the plot if I wanted to, as I’m still trying to figure it out, myself.  But, I’m getting ahead of myself.

Sorry to Bother You focuses on Cassius “Cash” Green.  He’s so broke, he’s filling up his gas tank 40¢ at a time.  He’s four months late on his rent to his Uncle Sergio.  This is why a crappy telemarketing job with RegalView looks great.  Despite being caught faking both a trophy and an employee-of-the-month plaque, he’s hired.  He’s selling encyclopedias, but there’s the promise of being promoted to power seller if he does well.

Cash does do well enough to earn the promotion, but it comes with several tough choices.  His fellow telemarketers unionize and strike, meaning Cash has to choose between money and principle.  When the job puts a strain on his relationship with his girlfriend, Detroit, she gives him an ultimatum:  Either he leaves the job or she leaves him.  It’s easy to say that you’d support your friends, but it is a lot of money he’s being offered.

I don’t want to say anything more about the plot than this.  For those that may have read other reviews of the movie, I will say that the rest of the movie is bizarre.  It’s as if Spike Lee directed a Monty Python film.  There is a fair amount of seriousness and commentary on society.  Consider that Cash and other employees of color have to use a white voice to be successful.  (David Cross, Patton Oswalt and Lily James provide voiceovers.)   However, there is a fair amount of bizarre elements.  These elements are what I don’t want to give away.  It’s probably better that you go into the movie unaware.  This isn’t to say that the movie is bad.  It is unexpected.  I did see a couple walk out of the theater when the movie started down the rabbit hole.

This isn’t a Hallmark movie.  If you tend towards more mainstream entertainment, you will likely be put off.  I was going to say that the movie is like an avant-garde art piece, but the movie is avant-garde in its own right.  I’m not entirely certain what the movie is trying to say, other than it’s tough needing money.  When you’re that in need of it, there aren‘t really any good options.