Flightplan (2005)

Note:  This review was originally posted to my Epinions account.

Warning: I’m going to give away some spoilers. I’m not giving away the ending and I’m certainly not giving away that much. However, if you’re not into hearing too many details, don’t read this review just yet.


I remember seeing the coming attractions for flight plan. Mother and daughter are traveling on a plane. The mother, played by Jodie Foster, falls asleep and awakens to find the daughter missing. Since they’re on a plane and no parachutes are missing, the mother is left to assume that the daughter is still on the plane. That’s about all the trailers revealed.

After seeing the trailers, I had to wonder how they could fill almost two hours of film based on just that. Part of the movie deals with why Kyle (the mother) and Julia (the daughter) are on the plane. It turns out that the father died, apparently having killed himself by jumping off of the roof of an apartment building. The bulk of it has to do with what exactly happened.

This is why I’m warning you about the spoilers. I can’t really write an honest review without giving away at least some of the details. For starters, the insanity card is played way too early to be what really happened. Even though you know she’s not crazy, you have to wonder just a little bit. After Kyle discovers Julia missing, she finds (the hard way) out who the air marshal is. The air marshal later informs Kyle that she’s actually transporting two coffins, one of which is for her daughter. There’s no record of Julia having been on board. He even provides evidence that she picked up two bodies from the coroner before leaving.

Kyle starts seeing conspiracies everywhere. There are two passengers who are of Middle-Eastern origin who Kyle swears were looking at her from an apartment across the street. Also, she makes a point to tell the captain that two members of the flight crew weren’t exactly trying that hard when everyone was supposed to be looking for Julia.

You do eventually realize that something major is going on. It actually takes a while to figure out what, though. The writers did a good job of stretching out the story. When I first walked out of the theater, I thought to myself that I had just wasted $6.50 of my hard-earned money, but I began to think and I realized that there really was more to it than that. (Which is why I’m withholding a lot of the details.)

There were two major problems that I had with the story. First, I found it very convenient that no one saw Julia get on. Given that we’re talking about a plane with two floors of seats and a good-sized crew, not one person could corroborate that Kyle had gotten on with someone. The second point was that the whole thing with the Middle-Eastern passengers didn’t go anywhere. It doesn’t really mean anything that they happened to be across the street. Plus, they had an alibi for that night, which was never fully checked out.

The entire story seemed to be one of convenience. Things just happened the way that they needed to happen in order for there to be a two-hour movie. What would have happened if someone had been able to definitively say that they saw Julia? I’m going to give the movie four stars. Despite the complaints, the movie was at least entertaining. I’m going to have to see this movie again, just to be able to pick up on things that I didn’t see before. 

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Contact (1997)

Note:  This review was originally posted to my Epinions account.


Jodie Foster plays Dr. Elli Arroway, a radio astronomer. She was raised by her father, who gave her a strong interest in astronomy. She spends a great deal of her adult life looking for extraterrestrial life, mostly with SETI. Things are rough. Most government bureaucrats aren’t willing to finance the search for little green men, so Dr. Arroway has to spend a lot of time looking for funding. Fortunately, she’s able to secure enough to rent radio telescopes, which scan the heavens for some sort of coherent signal.

Finally, just as everyone’s about to give up hope, a signal comes in. It’s these loud, booming noises. Dr. Arroway and her team realize that the noises are grouped in prime numbers. Prime numbers are numbers that are divisible by only themselves and one, such as 2 and 5. (1 isn’t considered a prime number by many for reasons I won’t go into here.) Any intelligent civilization should know what a prime number is because primes are independent of what base we use for our numbering system. The signal is very interesting. It’s so interesting that the government wants a part of it. Dr. Arroway and her team are allowed to research it, but at the governments direction.

Some interesting things are learned about the clip. First, there’s a clip of Hitler speaking at the 1936 Olympics. The 1936 Olympics was the first TV signal strong enough to go into space. The aliens, whoever they are, apparently recorded the signal and sent it back to us. Is this an endorsement for the Nazis or is it simply a way of saying, “Hey! Look what we found!” After a little more digging, dozens of diagrams are uncovered. No one can figure out what they are. Finally, Dr. Arroway gets the nudge she needs to figure out how they work.

They’re actually blueprints. America is able to construct this big sphere that sits atop a device that can (presumably) send it through space. The scientific community is at a loss to explain how it works. No one is really sure that it will, but we decide to try anyway. After a lot of hard work and sacrifice, we finally manage to get Dr. Arroway into the sphere and through the device.

Here’s where I’m going to end the plot review. There’s still a significant portion of the movie left, and there’s really no way I can handle it without giving away too much. The movie does a good job of setting up the story and leaving us wondering what will come of the events. In a way, I’d like to see a sequel, but it’s just as well that there isn’t one. I think to try and answer the questions I have might spoil the fun.

There’s a constant theme of science vs. religion throughout the movie. Elle Arroway needs proof. She can’t fully accept religion because it offers no real proof. Then there’s Palmer Joss, who’s religious and tries to make the case for religion without trying to force it upon anyone. It almost seems that religion and science are polar opposites. The X-Files did a better job using Scully, who was both religious and a scientist, to stage the question and to show that you don’t have to be one or the other.

The movie is based on the book of the same name by Carl Sagan. In writing the book, Sagan had to deal not only with how a race would contact us but with the logistics of how a meeting would take place. The nearest star to us is 4 light years away. That means that it takes light 4 years to cover the distance to that star, and there’s no way that we can pass the speed of light with our current understanding of science.

The movie doesn’t really explain too much the science. As I said, we’re presented with an option that might turn out to be a fraud. It’s really a story that’s accessible to anyone, regardless of their understanding of physics or astronomy. I think I could recommend this movie to just about anyone.


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Elysium (2013)

When I first saw the coming attractions for Elysium, I liked the idea.  There was someone who had to go to an orbiting space station because they had what he needed.  I was wondering how it was handled.  When I was finally able to rent the movie, I liked it, but I was a little disappointed.

Matt Damon plays Max. Max is a factory worker in Los Angeles.  One day, he’s exposed to a lethal dose of radiation and basically written off.  He’s given medication to deal with the side effects, but he has just days to live.  This sucks, mostly because the technology to cure him does exist.  There’s just one problem:  It’s all on an orbiting space station called Elysium.

Elysium is where the upper class lives.  They get all the good stuff while everyone else gets to live in slums.  If someone from Earth tries to go to the station, their ship is destroyed.  It’s basically the ultimate gated community.  Max has basically zero hope of making it there to get the help he needs, but he has to try anyway.  He has help, but it’s still no cakewalk.

I can understand the movie not being perfect.  This is Neill Blomkamp’s second movie.  His first was District 9, though.  The problem with coming off such a good movie is that people will have much higher expectations.  The message of District 9 was a little more subtle.  Here, it’s more like, “We get it already.”  The movie makes too much of a point of showcasing the immigration and healthcare issues that Earth and, by extension, Elysium have.  Elysium has all the good stuff and the people of Earth need it pretty badly.

It was a good idea that wasn’t executed as well as it could have been.  I have to wonder why there were no medical machines on Earth.  You’d think someone would at least make a bootleg version.  People try to sell panaceas all the time.  In this future, it’s not hard to imagine that someone would have a fake or sub-par med bay.  It would have made for an interesting side story, at least.

I know most people will freak out if I talk about the ending, even if I don’t give away specifics.  However, that was really the only bad part for me.  I felt like it wasn’t as strong as the rest of the movie.  At least the bulk was relatable.  Max is in need of attention and he’s willing to go to great lengths to get it.  The ending almost didn’t seem to fit the rest of the story.  This is one of those movies that I may have to watch again to pick up on things.  I’ll probably wait to watch it with someone else.

IMDb page